In this collection of essays J. B. Harley (1932-1991) draws on ideas in art history, literature, philosophy, and the study of visual culture to subvert the traditional, "positivist" model of cartography, replacing it with one that is grounded in an iconological and semiotic theory of the nature of maps. He defines a map as a "social construction" and argues that maps are not simple representations of reality but exert profound influences upon the way space is conceptualized and organized. A central theme is the way in which power-whether military, political, religious, or economic-becomes inscribed on the land through cartography. In this new reading of maps and map making, Harley undertakes a surprising journey into the nature of the social and political unconscious.
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A map is a social construction. There are casual arrows that flow in both directions. 最討厭的就是這種貨色。將各種理論牽強附會，硬套在研究對象上。濫用抽象的定義方式，濫用比喻。畢竟是上世紀末的產物。
评分可以理解80-90年代对context的重视，也认同他在这个论文集里的批判态度，不过还是提醒自己写论文时要避免过度批判而有失偏颇
评分可以理解80-90年代对context的重视，也认同他在这个论文集里的批判态度，不过还是提醒自己写论文时要避免过度批判而有失偏颇
评分可以理解80-90年代对context的重视，也认同他在这个论文集里的批判态度，不过还是提醒自己写论文时要避免过度批判而有失偏颇
评分A map is a social construction. There are casual arrows that flow in both directions. 最討厭的就是這種貨色。將各種理論牽強附會，硬套在研究對象上。濫用抽象的定義方式，濫用比喻。畢竟是上世紀末的產物。
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