Postdramatic Theatre pdf epub mobi txt 电子书下载 2025

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Hans-Thies Lehmann

Routledge

Juers-Munby, Karen

2006-5-3

224

USD 39.95

Paperback

9780415268134

图书标签: 戏剧艺术理论劇場 phdshit theatre

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发表于2025-02-27

Postdramatic Theatre epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2025

Postdramatic Theatre pdf epub mobi txt 电子书下载 2025

图书描述

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Muller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jurs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.

Postdramatic Theatre 下载 mobi epub pdf txt 电子书

著者简介

汉斯•蒂斯•雷曼（Hans-Thies Lehmann）从1988年开始担任德国法兰克福大学剧场艺术学教授、系主任。曾在巴黎、维也纳、阿姆斯特丹、东京任客座教授。研究范围包括当代剧场艺术、剧场艺术理论、美学理论、文学（尤其是布莱希特、海纳•穆勒）。

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Postdramatic Theatre pdf epub mobi txt 电子书下载

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用户评价

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后现代剧场什么的，对于现在熟悉现代戏剧的观众来说，也没有什么震惊的观点，倒是在时空那块讲得很清楚（我都能看懂，没人看不懂了吧）

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这版翻译太纠结了~扫描好留下来！

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不读两边以上我是读不懂的…

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终于看完了T T可能哲学化也是从戏剧美学角度给后戏剧剧场定位的必需吧但太难读了不是定义是现象总结但每一条美学原则都符合的大概是Wilson（也提到太多遍）分析的语言除哲学/艺术理论外很多来自其他门类的现代艺术也的确剧场是在follow their path只是走得较慢剧场各元素（Aspects）的深度分析写得特别好啧啧称奇但由于是umbrella term 偶尔就会嘀咕：前面才说符号堆叠/共时，拒绝阐释，怎么讲到很多作品还是忍不住要提一嘴：“表现出了……”？// 我的想法：比起哲学，更可以从演剧史角度谈论，比如说声音和身体的automony，为什么不讲后戏剧剧场和传统歌剧/舞蹈的联系/区别？后记的政治剧场小析是我好奇的，但讲得不在理，而且戏剧剧场概念突然混用。英译很好，不容易。

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