This text reconnects "M" to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes "M" as a modernist artwork. He also analyzes Joseph Losey's 1951 film noir remake.
具體描述
讀後感
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用戶評價
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寫得真好
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评分Here's again defied Kracauer's pre-wartime National Labour Service totalitarian critic/plot towards Weimar cinema.
评分好書
评分Here's again defied Kracauer's pre-wartime National Labour Service totalitarian critic/plot towards Weimar cinema.
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