A posthumous collection of essays about the modern world from one of Europe’s greatest, and best-selling, literary figures
Umberto Eco was an international cultural superstar. In this, his last collection, the celebrated essayist and novelist observes the changing world around him with irrepressible curiosity and profound wisdom. He sees with fresh eyes the upheaval in ideological values, the crises in politics, and the unbridled individualism that have become the backdrop of our lives—a “liquid” society in which it’s not easy to find a polestar, though stars and starlets abound.
In these pieces, written for his regular column in L’Espresso magazine, Eco brings his dazzling erudition and keen sense of the everyday to bear on topics such as popular culture and politics, being seen, conspiracies, the old and the young, new technologies, mass media, racism, and good manners. It is a final gift to his reader—astute, witty, and illuminating.
Umberto Eco 翁貝托·埃科(1932-2016)
歐洲重要的公共知識分子、小說傢、符號學傢、美學傢、史學傢、哲學傢。 齣生於意大利亞曆山德裏亞,博洛尼亞大學教授。著有大量小說和隨筆作品,如《玫瑰的名字》《傅科擺》《昨日之島》《波多裏諾》《洛阿娜女王的神秘火焰》《布拉格公墓》《試刊號》和《密涅瓦火柴盒》等。
我是在大学的最后一年读到Umberto Eco的书的。当时我闲来无聊,在五道口的万圣书园一带逛游。一天,在一个二楼,我看见这本《丑的历史》。 [丑的历史] 这书对于一个学生实在是有点贵,同时也太大了,寝室没有地方放。所以我接连两三天都会傍晚去书店站着看这本书。看完之后,我...
評分 評分 評分原文地址:[http://www.qh505.com/blog/post/5470.html] 一本书讲述的故事是由指纹、空白处的注释、下划线、扉页上的签名,甚至是蛀虫咬出来的洞组成。 ——《触[摸书籍》] 没有空白处的注释,没有下划线,没有扉页上的签名,当然更没有蛀虫咬出来的虫洞,它清清爽爽、完完整整...
返璞歸真,Eco的最後一本。
评分返璞歸真,Eco的最後一本。
评分感覺Eco死後連帶新譯本的熱度也下降瞭不少
评分感覺Eco死後連帶新譯本的熱度也下降瞭不少
评分感覺Eco死後連帶新譯本的熱度也下降瞭不少
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