The End of Japanese Cinema

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出版者:Duke University Press
作者:Alexander Zahlten
出品人:
页数:320
译者:
出版时间:2017-10-6
价格:USD 26.95
装帧:Paperback
isbn号码:9780822369448
丛书系列:
图书标签:
  • 电影
  • 日本
  • AlexanderZahlten
  • *映画
  • #日本
  • 日本研究
  • kindle
  • 2018
  • 日本电影
  • 电影史
  • 文化研究
  • 电影理论
  • 亚洲电影
  • 战后日本
  • 电影产业
  • 媒介研究
  • 流行文化
  • 艺术史
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具体描述

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: pink film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

作者简介

Alexander Zahlten is Associate Professor of East Asian Languages and Civilizations at Harvard University and coeditor of Media Theory in Japan, also published by Duke University Press.

目录信息

Acknowledgments vii
Introduction 1
1. Establishing Pink Film 25
2. Pink Times and Pink Spaces 63
3. Kadokawa Film 96
4. The Radicalization of Kadokawa Film 122
5. V-Cinema 152
6. Subgenres: Violence, Finances, Sex, and True Accounts 176
Conclusion: Present Histories 204
Notes 225
Bibliography 273
Index
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电影节和电影制作公司的电影消失。媒体工业、技术平台的改变带来了一系列改变。pink film被理解为对不连续的历史和政治压抑的回应。电影工业的发展消解了各种边界:国家性别阶级消费者生产者等等。 这本书狠心,写到最后,作者显然对VR啊,youtube,弹幕网站充满了自由主义的信心。but,看看最近facebook的事吧,技术带来的从来不只有自由,还有更强大的管控。

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电影节和电影制作公司的电影消失。媒体工业、技术平台的改变带来了一系列改变。pink film被理解为对不连续的历史和政治压抑的回应。电影工业的发展消解了各种边界:国家性别阶级消费者生产者等等。 这本书狠心,写到最后,作者显然对VR啊,youtube,弹幕网站充满了自由主义的信心。but,看看最近facebook的事吧,技术带来的从来不只有自由,还有更强大的管控。

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How to liberate Asia from history?

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How to liberate Asia from history?

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How to liberate Asia from history?

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