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Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...