The sixteenth century in China was a period of rapid and unprecedented economic expansion. The period also saw a parallel expansion in the sphere of cultural production, as a growing class of consumers of luxury goods benefited from the formation of one of the classic early modern consumer societies.
Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex. He has published extensively on the culture of the Ming period. His books include Fruitful Sites: Garden Culture in Ming Dynasty China; Art in China; and Superfluous Things: Material Culture and Social Status in Early Modern China.
翻了下北大版,立马被其中插图吸引。好东西都在国外,看多了自然就能写了,不需要深奥,但印象深刻,这就是得一手资源的无敌优势,也是国外sinology更强于我们的原因。看看这个被掏空了的“中国“,剩下的只有不能写的现实题材可写。翻了下北大版,立马被其中插图吸引。好东西...
评分This book address some basic questions about Chinese visual arts. A basic proposition is that from 1400-1700 there was a transition in painting and other visual arts from referential to self-referential, e.g. from mimesis to symbolic. This book defies sim...
评分新加坡亚洲文明博物馆的中国展厅,挤满了黄皮肤的小学生。女老师的汉语很标准,飘到耳中一句,却是《论语》里的“父母在,不远游”。我仰头一望,是了,这里有两轴硕大的祖先画像,一男一女,面容端肃,正襟危坐,袍服鲜明。本该是祠堂里的物事,具有仪式化的功能,如今被从语...
评分This book address some basic questions about Chinese visual arts. A basic proposition is that from 1400-1700 there was a transition in painting and other visual arts from referential to self-referential, e.g. from mimesis to symbolic. This book defies sim...
评分纯美术史,绘画史看多了,有时免不了障目。Craig Clunas通过图像学的角度来阐释明朝艺术之大环境,且不说史料的丰富,单就这个角度也是让后来做艺术史的人有所启发。Richard Vinogard 在“stones from Other Mountains: Chinese Painting Studies in Postwar America"一文中就...
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评分90年代的研究,现在看来依旧惊艳。最有用的或许不是作者提出的iconic circuit、referential images、self-referential images等种种概念和区分,而在于揭示出明代视觉文化中诸多值得深挖的现象,诸如对遗像真实性的讨论、对图像流通的控制等~
评分90年代的研究,现在看来依旧惊艳。最有用的或许不是作者提出的iconic circuit、referential images、self-referential images等种种概念和区分,而在于揭示出明代视觉文化中诸多值得深挖的现象,诸如对遗像真实性的讨论、对图像流通的控制等~
评分90年代的研究,现在看来依旧惊艳。最有用的或许不是作者提出的iconic circuit、referential images、self-referential images等种种概念和区分,而在于揭示出明代视觉文化中诸多值得深挖的现象,诸如对遗像真实性的讨论、对图像流通的控制等~
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