具体描述
Hiroshi Sugimoto has explored ideas of time, empiricism and metaphysics through a surreal and formalistic approach since the 1970s. A self-described "habitual self-interlocutor," Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. Whether formally photographing Madame Tussauds wax figures and the wildlife scenes at the American Museum of Natural History, or opening the lens of his eight-by-ten camera to capture a two-hour-long film in one exposure, he explores themes of consumerism, narrative and existence in rich and evocative imagery. This new project presents a survey of Sugimoto’s iconic work, from his calm seascapes to his more recent exploration of lightning fields and photogenic drawing. Created in conjunction with an upcoming exhibition at Fundación Mapfre in Spain, the survey includes an introduction and essay by writer and curator Philip Larratt-Smith, an interview with Sugimoto and text by the prominent Brazilian artist Iran do Espírito Santo.
作者简介
Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect. He divides his time between Tokyo and New York City. Sugimoto has exhibited extensively in major museums and galleries throughout the world, and his work is held in numerous public collections, including The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; National Gallery, London; National Museum of Modern Art, Tokyo; Smithsonian, Washington, DC; and Tate, London, among others.
目录信息
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杉本博司
评分#后面是关于作品的访谈
评分我可能失忆了 感觉跟去年看的是同一个版本但这次把后面的访谈认真看完觉得还是喜欢这样有严谨态度的人 虽然还是会有些无聊 不过问到关于日本流行文化时候的一些回答还蛮有意思的 “对村上春树怎么看”“也是没有太多可以抱怨的了。”哈哈哈很冷默就是了
评分杉本博司这两年出了一堆画册啊，Paris Photo 逛出版社展位好几家都有。。然而没什么新作，访谈很多，干脆转型当作家好了
评分看到了几张新的剧院系列。后面的访谈很不错，可以了解创作背景和动机有，但杉本对彩色不是看好，觉得比较cheap-looking
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