Hag-Seed

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出版者:Hogarth
作者:Margaret Atwood
出品人:
页数:224
译者:
出版时间:2016-10-11
价格:0
装帧:平装
isbn号码:9781781090220
丛书系列:
图书标签:
  • Margaret-Atwood
  • 加拿大
  • 阿特伍德
  • 莎士比亚
  • 小说
  • 英文
  • ShakespeareRetold
  • 英语图书
  • 奇幻
  • 冒险
  • 魔法
  • 成长
  • 史诗
  • 青春
  • 探索
  • 神秘
  • 成长
  • 幻想
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具体描述

Hag-Seed is a re-visiting of Shakespeare’s play of magic and illusion, The Tempest, and will be the fourth novel in the Hogarth Shakespeare series.

The Tempest is set on a remote island full of strange noises and creatures. Here, Prospero, the deposed Duke of Milan, plots to restore the fortunes of his daughter Miranda by using magic and illusion -- starting with a storm that will bring Antonio, his treacherous brother, to him. All Prospero, the great sorcerer, needs to do is watch as the action he has set in train unfolds.

In Margaret Atwood’s ‘novel take’ on Shakespeare’s original, theatre director Felix has been unceremoniously ousted from his role as Artistic Director of the Makeshiweg Festival. When he lands a job teaching theatre in a prison, the possibility of revenge presents itself – and his cast find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever.

There’s a lot of Shakespearean swearing in this new Tempest adventure…but also a mischief, curiosity and vigour that’s entirely Atwood and is sure to delight her fans.

作者简介

Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.

Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.

Margaret Atwood currently lives in Toronto with writer Graeme Gibson.

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对布克奖得主水平和路数的认知完全来自于写出《占有:一段罗曼史》和《天使与昆虫》的拜厄特,在对作者不熟悉的情况下,对本书的大体预期是建立在经验之上,但是开始读没多久,就觉得期望落空了。不可否认这篇文章故事的搭建和细节的处理毫无破绽,但是过于忠实戏剧编导过程的...  

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作为莎翁戏剧《暴风雨》的改编小说,《女巫的子孙》讲了一个围绕《暴风雨》衍生出的不同故事。《暴风雨》的主题是复仇,《女巫的子孙》沿袭了这个思路,但也并没有简单的局限于此。玛格丽特·阿特伍德当然清楚,身居21世纪互联网时代的读者,不会仅仅满足于一个单薄的复仇故事...  

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《女巫的子孙》其实不能算是一部严格意义上的莎士比亚戏剧的改写作品,因为它创作了一个新故事——现代社会的《暴风雨》版本。只是沿用了《暴风雨》的故事框架和人物设置,旧瓶子装了新酒,还是和旧酒口味很像的新酒。 故事中规中矩,很安全地按照《暴风雨》的起承转合完成了...  

用户评价

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2019-12 TERRFIC! But it's a pitty that there is no romance relating to Felix at the end.

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小说到底更自由,在戏剧空间的延展和角色命运上做了更大胆的解构与颠覆,但与原作轨迹依然精准贴合还大量致敬其他莎翁作品。不知为什么最近总是读到或看到这样的角色:困在旧日伤痛中几近疯狂,被悲伤啃噬得体无完肤。主角每次回想起女儿的过往,寥寥字句间灼烧的悔恨让人心都要碎了。

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Atwood的热情和自我沉溺让这部剧becomes almost personal...知道她会写,但在写剧本上有technique problem... 不知道为啥国内好像还蛮流行的,可能也是因为新吧。毕竟that’s Jeff’s answer when I asked him why this one...

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I really appreciate her biting humor and delicate narrative. My sympathy goes to those hag-seeds, the traumatized ones by treachery, race, poverty, war,etc. Felix is also one of them. Luckily enough, after the well-designed revenge, "To the elements be free" and all are ended.

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2019-12 TERRFIC! But it's a pitty that there is no romance relating to Felix at the end.

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