The Noise of Time

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出版者:Knopf
作者:Julian Barnes
出品人:
页数:224
译者:
出版时间:2016-5-10
价格:USD 16.79
装帧:Hardcover
isbn号码:9781101947241
丛书系列:
图书标签:
  • 小说
  • 传记
  • 音乐
  • 英国
  • 英语
  • 没买实体
  • 外国文学
  • 俄国
  • 历史小说
  • 冷战
  • 音乐
  • 苏联
  • 肖斯塔科维奇
  • 艺术
  • 政治
  • 文化
  • 传记
  • 20世纪
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具体描述

A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending.

In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich’s career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

作者简介

JULIAN BARNES is the author of twenty previous books including, most recently, Keeping an Eye Open: Essays on Art. He has received the Man Booker Prize, the Somerset Maugham Award, the Geoffrey Faber Memorial Prize, the David Cohen Prize for Literature, and the E. M. Forster Award from the American Academy of Arts and Letters; in France, the Prix Médicis and the Prix Femina; in Austria, the State Prize for European Literature. In 2004 he was named Commandeur de l’Ordre des Arts et des Lettres by the French Ministry of Culture. His work has been translated into more than forty languages. He lives in London.

www.julianbarnes.com

目录信息

读后感

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《见证》风行一时以后,对这个世界而言,肖斯塔科维奇还有秘密吗?朱利安•巴恩斯要以肖斯塔科维奇为主角写一本小说,等于给自己设置了至少两道屏障。一是,肖斯塔科维奇的音乐懂的人少但他的故事知道的人不少,小说的基本创作手法就是虚构,用真实的历史人物做主角,虚构还...  

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When someone repeats the old adage that no one ever put up a statue to a critic, you could always try saying: “Well, Stalin ...” Stalin, of course, was known for rather more than his ear for music, but it would have to be one of the more insulting ironies...  

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原文是今年一月The Noise of Time出版时,Julian Barnes在卫报发的小文章。昨天看到上海书评那篇巴恩斯的访谈特激动,里面引用了一些这篇短文的词句,就顺手翻了一下。水平不高,看个参考。(底下三个注释是我自己加的,觉得这样可能更好理解一些。) 本文原文链接: https://w...  

用户评价

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Presumably Barnes at his best.

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To be Russian was to be pessimistic; to be Soviet was to be optimistic. That was why the words Soviet Russia were a contradiction in terms.

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Presumably Barnes at his best.

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My hero is a coward

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Tragedies in hindsight look like farces. Sarcasm was irony which had lost its soul. A soul could be destroyed in one of three ways: by what others did to you; by what others made you do to yourself; and by what you voluntarily chose to do to yourself.

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