A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending.
In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich’s career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.
JULIAN BARNES is the author of twenty previous books including, most recently, Keeping an Eye Open: Essays on Art. He has received the Man Booker Prize, the Somerset Maugham Award, the Geoffrey Faber Memorial Prize, the David Cohen Prize for Literature, and the E. M. Forster Award from the American Academy of Arts and Letters; in France, the Prix Médicis and the Prix Femina; in Austria, the State Prize for European Literature. In 2004 he was named Commandeur de l’Ordre des Arts et des Lettres by the French Ministry of Culture. His work has been translated into more than forty languages. He lives in London.
www.julianbarnes.com
《时间的噪音》『英』朱利安·巴恩斯 The Noise of Time— Julian Barnes 译林出版社 ⏱命运。这是一个大词,意味着某些事你无能为力。当生活告诉你,“就这样”,你只好点头,称之为命运。p13 ⏱在一部小说中,他生活中所有的焦虑,他的强大和软弱的混合,他歇斯底里的潜...
评分《见证》风行一时以后,对这个世界而言,肖斯塔科维奇还有秘密吗?朱利安•巴恩斯要以肖斯塔科维奇为主角写一本小说,等于给自己设置了至少两道屏障。一是,肖斯塔科维奇的音乐懂的人少但他的故事知道的人不少,小说的基本创作手法就是虚构,用真实的历史人物做主角,虚构还...
评分原文是今年一月The Noise of Time出版时,Julian Barnes在卫报发的小文章。昨天看到上海书评那篇巴恩斯的访谈特激动,里面引用了一些这篇短文的词句,就顺手翻了一下。水平不高,看个参考。(底下三个注释是我自己加的,觉得这样可能更好理解一些。) 本文原文链接: https://w...
评分一本幽深地阐释了权力与艺术的关系的书。主人公兼具强大与懦弱。作者试图揭示权力之下一种更真实更日常的状态,那就是当懦夫,通过与权力当局的部分妥协,换取生活的进行、家人朋友的安全。这个过程并不比当英雄容易,因为自我被一块块分裂,内心反复被自己质问。 试图将英雄与...
评分这是看的巴恩斯第三本书,比起福楼拜的鹦鹉和世界史,这本略微逊色,也许正如作者在后记中说的,他生活在英国自由稳定的政体中,无法感受肖氏在苏联个人独裁政治系统中的恐惧。所以有种隔离感。即使如此,对比当下的中国,读来依旧能感受到肖氏的恐惧和痛苦。我们以为我们所处...
本来非常期待朱利安巴恩斯和肖斯塔科维奇的组合,但这种威权统治下艺术家的身不由己和挣扎,对于中国人来说实在太见怪不怪了,巴金老舍郭沫若都够写出一堆来。这样的题材适合更锋利尖锐的作家,遗憾巴恩斯并没有做出让人惊艳的发掘和发挥,除了重温一下本已熟悉的传记材料,并无多少回味思考余地。
评分本来非常期待朱利安巴恩斯和肖斯塔科维奇的组合,但这种威权统治下艺术家的身不由己和挣扎,对于中国人来说实在太见怪不怪了,巴金老舍郭沫若都够写出一堆来。这样的题材适合更锋利尖锐的作家,遗憾巴恩斯并没有做出让人惊艳的发掘和发挥,除了重温一下本已熟悉的传记材料,并无多少回味思考余地。
评分一声叹息!欣赏肖斯塔科维奇的人需要有一个不肤浅的灵魂。
评分To be Russian was to be pessimistic; to be Soviet was to be optimistic. That was why the words Soviet Russia were a contradiction in terms.
评分毒 瘤
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