Listen to Wally Lamb discuss and read from "I Know This Much is True". With his stunning debut novel, "She's Come Undone", Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with "I Know This Much is True", a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal-- this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your hands --the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper-- if you've promised your dying mother-- then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a split-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth-- her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny". From childhood, Dominick fights for both separation and wholeness-- and ultimately self-protection-- in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness-- pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors-- a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale-- in which monkeys enchant and religious statues weep-- becomes the old man's confession-- an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick leans that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestor's transgressions and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, "I Know This Much is True" is an extraordinary reading experience that will leave no reader untouched.
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這部作品的語言結構,簡直是一場文學的迷宮探險。它拒絕平鋪直敘,轉而采用瞭大量交錯的時間綫和視角轉換,初讀時可能會讓人有些迷失方嚮,但一旦適應瞭這種獨特的韻律,就會發現其中蘊含著驚人的力量。作者似乎非常熱衷於打破傳統的敘事綫性,用碎片化的信息來構建一個宏大而又私密的真相圖景。我必須承認,一開始我感覺有些吃力,需要經常迴溯前麵的章節來確認人物關係和時間節點。然而,正是這種“掙紮”,反而加深瞭閱讀的參與感。它迫使你的大腦保持高度的活躍,像一個偵探一樣,從蛛絲馬跡中拼湊齣完整的畫麵。更絕妙的是,當真相最終以一種看似不經意的方式浮現時,那種豁然開朗的震撼感,是任何直接告知的敘述都無法比擬的。這證明瞭敘事技巧本身也可以成為故事力量的重要組成部分,它不僅僅是傳遞內容的載體,它本身就是內容的一部分。
评分這本書的社會觀察維度,尖銳得讓人不得不側目。它並非專注於宏大的曆史事件,而是將鏡頭聚焦於那些被社會邊緣化、被主流話語所忽略的群體的真實生存狀態。作者對特定社會階層、對邊緣人群在法律、醫療和傢庭結構麵前所遭受的係統性睏境,進行瞭毫不留情的剖析。我從中讀到瞭一種強烈的、近乎悲憫的社會責任感。它讓你不得不停下來思考:我們日常所依賴的那些“常識”和“公正”,對於生活在社會夾縫中的人來說,是否根本就不成立?這種對不公的揭示,不是靠聲嘶力竭的呐喊,而是通過冷靜、客觀,甚至帶著一絲疏離的筆觸展現齣來,反而更具穿透力。它成功地拓寬瞭我的同理心邊界,讓我對“正常”與“異常”的界限産生瞭更深刻的反思。這是一部充滿社會批判精神的作品,其價值遠超單純的娛樂範疇。
评分這部作品給我的感覺,就像是夏日午後一場突如其來的暴雨,猛烈而又洗滌心靈。作者的筆觸細膩得令人心驚,仿佛能透過文字捕捉到人物最微小的呼吸和顫抖。我尤其欣賞它對人性復雜性的毫不避諱的探討。它不是那種試圖用簡單的善惡標簽來劃分世界的敘事,而是將我們置於一個道德的灰色地帶,讓我們親眼見證角色們如何在生活的重壓下做齣那些看似荒謬卻又情有可原的選擇。那種深入骨髓的掙紮和自我懷疑,在書中被描繪得淋灕盡緻。我讀到一些段落時,需要放下書本,走到窗邊,隻是盯著遠方,消化那種沉重的情感重量。這不僅僅是一個故事,更像是一麵鏡子,照齣瞭我們內心深處那些不願麵對的陰影和矛盾。它用一種近乎殘酷的真實感,探討瞭親情、責任以及個體在巨大命運麵前的無力感。敘事節奏的把控也極其高明,時而緩慢得讓人幾乎能感受到時間的凝滯,時而又在關鍵時刻猛然加速,將讀者拽入意想不到的境地。看完閤上書的那一刻,我的內心久久不能平靜,那種餘韻,比許多喧鬧的史詩都要來得持久和深刻。
评分我個人最被吸引的地方,在於作者對於“記憶”和“敘事自我”的哲學性探討。書中似乎反復叩問這樣一個問題:我們所堅信的“事實”,究竟有多少是真實發生的,又有多少是我們為瞭生存而不斷重構、美化或扭麯的版本?人物之間的對話常常充滿瞭錶麵的和解與暗流湧動的抗爭,你永遠不知道誰在對誰撒謊,甚至人物自己都可能在欺騙自己。這種對主觀真實性的不確定感,讓整個故事籠罩在一層迷霧之中,讓人著迷。它挑戰瞭讀者對確定性的基本需求,要求我們接受生活本身就是一場充滿漏洞和矛盾的未完成的草稿。這種對敘事可靠性的挑戰,使得每一次閱讀都充滿瞭懸念,因為你永遠在猜測,下一個被揭示的“事實”,會不會又將推翻你之前的所有判斷。這是一種高級的文學遊戲,成功地將讀者的認知過程納入瞭故事的結構之中,使得閱讀體驗達到瞭智力和情感的雙重共振。
评分坦白說,這本書的閱讀體驗是極其挑戰性的,它毫不留情地撕開瞭溫情脈脈的錶象,直抵生活最尖銳的骨骼。我欣賞作者那種近乎外科手術般的精準,將人物的缺陷和痛苦層層剝開,供讀者審視。這種風格,絕非那些旨在提供輕鬆慰藉的讀物所能比擬。對我來說,閱讀它更像是一種智力上的攀登,你需要不斷地投入思考,去解析那些看似矛盾的行為邏輯,去追溯那些深埋在角色童年和過往中的創傷是如何一步步塑造瞭他們的現在。書中對環境氛圍的渲染,特彆是那種揮之不去的壓抑感,簡直是大師級的。它不像是在描述一個遙遠的故事,更像是將你置身於那個特定的小鎮、那種特定的氣候之中,讓你親身感受那種無處可逃的窒息感。我特彆佩服作者如何巧妙地運用重復的主題和意象,使得故事的層次感不斷加深,每一次重讀,都會有新的感悟浮現。這是一部需要耐心、也值得用耐心去對待的作品,它奬勵那些願意深入挖掘、不畏懼黑暗的讀者。
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