Listen to Wally Lamb discuss and read from "I Know This Much is True". With his stunning debut novel, "She's Come Undone", Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with "I Know This Much is True", a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal-- this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your hands --the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper-- if you've promised your dying mother-- then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a split-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth-- her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny". From childhood, Dominick fights for both separation and wholeness-- and ultimately self-protection-- in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness-- pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors-- a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale-- in which monkeys enchant and religious statues weep-- becomes the old man's confession-- an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick leans that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestor's transgressions and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, "I Know This Much is True" is an extraordinary reading experience that will leave no reader untouched.
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这部作品的语言结构,简直是一场文学的迷宫探险。它拒绝平铺直叙,转而采用了大量交错的时间线和视角转换,初读时可能会让人有些迷失方向,但一旦适应了这种独特的韵律,就会发现其中蕴含着惊人的力量。作者似乎非常热衷于打破传统的叙事线性,用碎片化的信息来构建一个宏大而又私密的真相图景。我必须承认,一开始我感觉有些吃力,需要经常回溯前面的章节来确认人物关系和时间节点。然而,正是这种“挣扎”,反而加深了阅读的参与感。它迫使你的大脑保持高度的活跃,像一个侦探一样,从蛛丝马迹中拼凑出完整的画面。更绝妙的是,当真相最终以一种看似不经意的方式浮现时,那种豁然开朗的震撼感,是任何直接告知的叙述都无法比拟的。这证明了叙事技巧本身也可以成为故事力量的重要组成部分,它不仅仅是传递内容的载体,它本身就是内容的一部分。
评分我个人最被吸引的地方,在于作者对于“记忆”和“叙事自我”的哲学性探讨。书中似乎反复叩问这样一个问题:我们所坚信的“事实”,究竟有多少是真实发生的,又有多少是我们为了生存而不断重构、美化或扭曲的版本?人物之间的对话常常充满了表面的和解与暗流涌动的抗争,你永远不知道谁在对谁撒谎,甚至人物自己都可能在欺骗自己。这种对主观真实性的不确定感,让整个故事笼罩在一层迷雾之中,让人着迷。它挑战了读者对确定性的基本需求,要求我们接受生活本身就是一场充满漏洞和矛盾的未完成的草稿。这种对叙事可靠性的挑战,使得每一次阅读都充满了悬念,因为你永远在猜测,下一个被揭示的“事实”,会不会又将推翻你之前的所有判断。这是一种高级的文学游戏,成功地将读者的认知过程纳入了故事的结构之中,使得阅读体验达到了智力和情感的双重共振。
评分这部作品给我的感觉,就像是夏日午后一场突如其来的暴雨,猛烈而又洗涤心灵。作者的笔触细腻得令人心惊,仿佛能透过文字捕捉到人物最微小的呼吸和颤抖。我尤其欣赏它对人性复杂性的毫不避讳的探讨。它不是那种试图用简单的善恶标签来划分世界的叙事,而是将我们置于一个道德的灰色地带,让我们亲眼见证角色们如何在生活的重压下做出那些看似荒谬却又情有可原的选择。那种深入骨髓的挣扎和自我怀疑,在书中被描绘得淋漓尽致。我读到一些段落时,需要放下书本,走到窗边,只是盯着远方,消化那种沉重的情感重量。这不仅仅是一个故事,更像是一面镜子,照出了我们内心深处那些不愿面对的阴影和矛盾。它用一种近乎残酷的真实感,探讨了亲情、责任以及个体在巨大命运面前的无力感。叙事节奏的把控也极其高明,时而缓慢得让人几乎能感受到时间的凝滞,时而又在关键时刻猛然加速,将读者拽入意想不到的境地。看完合上书的那一刻,我的内心久久不能平静,那种余韵,比许多喧闹的史诗都要来得持久和深刻。
评分坦白说,这本书的阅读体验是极其挑战性的,它毫不留情地撕开了温情脉脉的表象,直抵生活最尖锐的骨骼。我欣赏作者那种近乎外科手术般的精准,将人物的缺陷和痛苦层层剥开,供读者审视。这种风格,绝非那些旨在提供轻松慰藉的读物所能比拟。对我来说,阅读它更像是一种智力上的攀登,你需要不断地投入思考,去解析那些看似矛盾的行为逻辑,去追溯那些深埋在角色童年和过往中的创伤是如何一步步塑造了他们的现在。书中对环境氛围的渲染,特别是那种挥之不去的压抑感,简直是大师级的。它不像是在描述一个遥远的故事,更像是将你置身于那个特定的小镇、那种特定的气候之中,让你亲身感受那种无处可逃的窒息感。我特别佩服作者如何巧妙地运用重复的主题和意象,使得故事的层次感不断加深,每一次重读,都会有新的感悟浮现。这是一部需要耐心、也值得用耐心去对待的作品,它奖励那些愿意深入挖掘、不畏惧黑暗的读者。
评分这本书的社会观察维度,尖锐得让人不得不侧目。它并非专注于宏大的历史事件,而是将镜头聚焦于那些被社会边缘化、被主流话语所忽略的群体的真实生存状态。作者对特定社会阶层、对边缘人群在法律、医疗和家庭结构面前所遭受的系统性困境,进行了毫不留情的剖析。我从中读到了一种强烈的、近乎悲悯的社会责任感。它让你不得不停下来思考:我们日常所依赖的那些“常识”和“公正”,对于生活在社会夹缝中的人来说,是否根本就不成立?这种对不公的揭示,不是靠声嘶力竭的呐喊,而是通过冷静、客观,甚至带着一丝疏离的笔触展现出来,反而更具穿透力。它成功地拓宽了我的同理心边界,让我对“正常”与“异常”的界限产生了更深刻的反思。这是一部充满社会批判精神的作品,其价值远超单纯的娱乐范畴。
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