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Wu Hung

Reaktion Books

2016-10-15

326

USD 57.00

Hardcover

9781780235998

圖書標籤: 攝影藝術史巫鴻攝影史中國藝術史文化研究文化批評 art

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发表于2024-12-26

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Zooming In pdf epub mobi txt 電子書下載 2024

圖書描述

From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts.

At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.

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著者簡介

Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor of Art History, and East Asian Languages and Civilization, at the University of Chicago. Special research interests include relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory, and political discourses.

圖書目錄

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用戶評價

評分☆☆☆☆☆

任何新來的（exotic）的事物都會經歷著陸，生根和延發的過程，隻有在本生文化中尋求到理解纔能最終超脫於本生文化的土壤，攝影也不例外。巫鴻這本書更像是會議集（conference proceedings），而文章全是他一人主導，所以像是他一個人的會議。他採取case study，大緻是以時間的順序作為安排，揭示瞭攝影在中國的歷史的若乾麵嚮，如何最初在本土通過重新錶達既定而長存的題材，互動，進而迎嚮在概念上飛躍。推薦給想瞭解攝影，但又不拘於枯燥的historical survey的讀者。

評分☆☆☆☆☆

關於攝影的深描可見於此。Reaktion齣的《廢墟》和《聚焦》兩本書，裝幀好紙質佳且價格親民，此前翻譯導師的章節也得到瞭他們編輯的大力支持，真的良心。畫外音：想起前幾日某詩人的公眾號說中國無攝影史，一部《中國攝影史》由外國人寫成，介紹的是外國攝影師在中國拍的照片。何其狹隘的觀點，簡直慘不忍睹。

評分☆☆☆☆☆

豐富的曆史細節與巫鴻本人與攝影藝術傢們的connection分不開。可能是中國當代攝影唯一的（非官方）曆史記錄。教授一周布置一章，一個學期下來剛好讀完。其中駁斥瞭一些研究中國藝術史的西方學者的觀點，對比中可見各自傾嚮，值得細讀。另：巫鴻老師是齣色的非母語人文學科學術寫作者，讀來沒有太多非母語者使用英語的齟齬感。

評分☆☆☆☆☆

讀後感

評分☆☆☆☆☆

研究中国摄影研究得好的著作，其实真的不多。美术史学家巫鸿先生出了这本文集，我也是相当好奇他是怎么写摄影的。第一部分“以影像表现中国与自我”，显然是站在西方这样一个“他者”的角度去讨论中国的摄影。摄影传入中国，与晚清民国中国的现代转型刚好重合在一起，我们可以...

評分☆☆☆☆☆

本书写的太好了，作者用朴实的文字从摄影史的角度把中国近代史又过了一遍，已经分不清是一本带有插图的书还是注释偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140

評分☆☆☆☆☆

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