Out of print for almost a decade, we are thrilled to bring back one of our most requested hard-to-find titlesphilosopher and cultural theorist Paul Virilio's Bunker Archeology. In 1994 we published the first English-language translation of the classic French edition of 1975, which accompanied an exhibition of Virilio's photographs at the Centre Pompidou. In Bunker Archeology, urbanist Paul Virilio turns his attentionand camerato the ominous yet strangely compelling German bunkers that lie abandoned along the coast of France. These ghostly reminders of destruction and oppression prompted Virilio to consider the nature of war and existence, in relation to both World War II and contemporary times. Virilio discusses fortresses and military space in general as well as the bunkers themselves, including an examination of the role of Albert Speer, Hitler's architect, in the rise of the Third Reich.
Editorial Reviews
Review
By refusing to recoil in horror from these ironic monuments, or even simply to ignore them as so many other shell-shocked by the experience of war had done, Virilio admirably shows how even the most challenging forms of architecture are open to historical debate and aesthetic interpretation. The book's black-and-white photographs are poignant illustrations of his larger points. --Dwell: (January, 2009)
"Paul Virilio's classic book of wartime architectural history, Bunker Archeology, is finally back in print with a fantastic new edition from Princeton Architectural Press. The book had taken on the feel of something like an urban legendsomething of which many had heard but few had directly experiencedso it's good to get our hands on a copy." -- Geoff Manaugh (January, 2009) --Dwell Magazine
"Bunker Archeology redefines the blockhaus within the cultural context of modern architecture, providing an iconic model for French design cultural that represents both its extremes and limits. Its metaphor becomes the means to conceptually objectify architecture to a minimalist end, allowing the architect to play on the theme of the monolith and its aftermath, the fractal." --The Architect's Newspaper
Review
"The Atlantic Wall, (was) an attempt by the Germans to fortify the entire west coast of France as the threat of Allied invasion increased. The relics of this 'wall', on cliff-tops or among sand dunes, staring out at the sae, are the subject of Bunker Archeology." -- Andrew Mead (June, 1996)
Review
"The photographs alone should capture a wide interest; but how are we to think about such enigmatic, radical and compelling objects? The comentary is important, firstly as indicating the origins of Virilio's concern with military space and as introduction to his thoughts about the relation between architectural thought and mordern warfare." -- Mark Cousins (April 21, 1995)
Review
"Bunker Archeology is a brilliant grab bag of reflections on the evolution of military architecture, the construction of the Third Reich's Atlantic Wall, and the time, space, and technology of war....
Virilio's nuanced ideas leap and grow as the book progresses; he combines technical information and historical facts with poetry. For someone so preoccupied by concrete bunkers, he's amazingly agile." -- Christine Schwartz (June, 1994)
Book Description
"Some stand like parking garages on dunes, some like the modernist slabs you might see on a La Jolla hillside or on the drive out Long Island to Montauk. Virilio's text, although sometimes given to the ethereal, reads just enough into these objects to animate them to their fullest as mournful and alien symbols of a brutal past. " (November, 1994)
About the Author
Paul Virilio is a renowned urbanist, political theorist, and art critic.
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这本书的封面设计简直是一场视觉的盛宴,那种粗粝的纹理和斑驳的色彩,立刻就把人拉进了一种既神秘又引人入胜的氛围里。我一拿到手,就被那种沉甸甸的质感吸引住了,感觉它不像是一本普通的书,倒更像是一件精心打磨过的艺术品。内页的排版也极具匠心,字里行间流露出一种对细节的极致追求,无论是字体选择还是留白处理,都恰到好处地烘托出那种深邃的历史感。每一次翻阅,都像是在触摸一件穿越时空的文物,那种与过去对话的体验,是其他书籍难以比拟的。我尤其喜欢它在插图和版式上的大胆尝试,既有现代设计的简洁,又不失历史文献的厚重感,完美地平衡了学术性和可读性,让人在阅读过程中,不仅在吸收知识,更是在享受一场视觉与触觉的盛宴。这本书的物理呈现本身,就已经是对“考古”这一主题的极佳诠释。
评分这本书的语言风格对我产生了强烈的共鸣,它有一种奇特的魅力,让你感觉作者正坐在你对面,用一种既渊博又略带戏谑的口吻,跟你娓娓道来那些尘封的往事。它的笔触时而如冰冷的科学报告般精准克制,时而又像一位浪漫的探险家在分享他的激动发现。这种语言的张力,使得阅读过程充满了戏剧性。作者对于词语的选择极为考究,很多地方的措辞都充满了画面感,仿佛我能闻到那些古老空间里的尘土气味,感受到那些被遗忘的工具所承载的重量。更难得的是,书中并没有故作高深,它始终保持着一种谦逊而又坚定的求知态度,这种真诚感是打动人心的关键。阅读它,就像是在和一个真正热爱这份事业的智者进行一场深入的、不设防的交谈,充满了启发性。
评分这本书对研究方法的探讨,可以说是它区别于其他同类作品的亮点所在。它没有止步于展示“发现了什么”,而是花了大量的篇幅去剖析“我们是如何知道的”。作者对研究工具、样本处理乃至数据解释过程中可能存在的偏见进行了极其坦诚和深刻的反思。这种方法论层面的自我批判,展现了一种极高的学术素养和对真理的敬畏之心。在很多章节中,作者似乎在故意设置陷阱,引导读者去质疑现有的结论,这种“带着镣铐跳舞”式的论证过程,极大地提升了我的批判性思维能力。它教会了我,真正的洞察力,往往诞生于对已知边界的不断试探和审视之中。对我而言,这本书更像是一本关于如何“思考”的指南,而不仅仅是一本知识的汇编。
评分我必须强调这本书在情感层面带来的冲击。虽然主题是严肃的历史和遗迹探究,但作者成功地将人类最原始的好奇心和对时间流逝的喟叹融入其中。它不仅关注物质的残留,更关注那些曾经生活在那些空间中的人的微小痕迹——一个破碎的陶片,一个不经意的涂鸦,都被赋予了人性深处的解读。这种对“人的缺席”的深情描绘,让冰冷的历史数据瞬间拥有了温度和血肉。我几次在阅读时被一种莫名的伤感所触动,那是一种跨越了数千年时空的共情,意识到我们与过去的人们在本质上并无二致。这种情感的深度,让这本书超越了学术的范畴,成为了一次关于人类存在本身的深刻冥想,读完后久久不能平复,留下的回味是悠长而复杂的。
评分这本书的内容编排简直是教科书级别的范本,作者在构建叙事逻辑上展现了惊人的功力。它不是简单地罗列事实或时间线,而是通过一系列精心设计的“发现点”引导读者深入思考。每一次章节的过渡都如同一次新的挖掘现场,总能在我以为了解全貌时,又抛出一个意想不到的视角。这种层层递进的叙事结构,极大地增强了阅读的沉浸感,让人欲罢不能。特别是它处理复杂概念的方式,极其精妙,它没有用晦涩难懂的术语来制造门槛,而是通过生动的比喻和详实的案例,将那些原本高冷的理论变得触手可及。读完一个部分,我常常需要停下来回味片刻,那种知识被内化和消化的过程,是非常令人满足的。这本书的结构设计,简直就是一次对读者心智的精心布局,每一步都走得坚定而充满智慧。
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评分维利里奥的战争后勤学初现端倪。
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