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出版者:Brill

作者:Christopher Rea

出品人:

页数:264

译者:

出版时间:2015-7-24

价格:USD 142.00

装帧:Hardcover

isbn号码:9789004299962

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图书标签:

钱钟书
海外中国研究
英文原版
现当代
杨绛
文化研究
世界主义
文学
中国文学
世界文学
跨文化研究
现代文学
海外华文
文学全球化
文化对话
知识分子
文学批评
比较文学

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具体描述

China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century.

In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against

the modern cultural imperative that Chinese literature be worldly.

Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu(Columbia, 2011).

作者简介

Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia (UBC Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu (Columbia, 2011).

目录信息

Table of contents
Introduction: All the World’s a Book, Christopher Rea
Acknowledgements
1.Yang Jiang’s Wartime Comedies; Or, the Serious Business of Marriage, Amy D. Dooling
2. “Passing Handan without Dreaming”: Passion and Restraint in the Poetry and Poetics of Qian Zhongshu, Wang Yugen
3.Self-Deception and Self-Knowledge in Yang Jiang’s Fiction, Judith M. Amory
4.How to do Things with Words: Yang Jiang and the Politics of Translation, Carlos Rojas
5. Guanzhui bian, Western Citations, and the Cultural Revolution, Ronald Egan
6.The Pleasures of Lying Low: Yang Jiang and Chinese Revolutionary Culture, Wendy Larson
7.The Institutional Mindset: Qian Zhongshu and Yang Jiang on Marriage and the Academy, Christopher Rea
8.“All Alone, I Think Back on We Three”: Yang Jiang’s New Intimate Public, Jesse Field
9.The Cosmopolitan Imperative: Qian Zhongshu and “World Literature,” Theodore Huters
All Will Come Out in the Washing, Christopher Rea
Appendix: Works in English by Qian Zhongshu and Yang Jiang
Bibliography
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