Drama in the People's Republic of China pdf epub mobi txt 電子書 下載2025
出版者:State University of New York Press
作者:International Colloquium on Contemporary Chinese Drama and Theater (1984
出品人:
頁數:353
译者:
出版時間:1987-7-1
價格:USD 31.95
裝幀:Paperback
isbn號碼:9780887063909
叢書系列:
圖書標籤:
- 社會史
- 戲
- 當代中國史
- 中國戲劇
- 現代戲劇
- 戲劇史
- 文化研究
- 文學
- 政治
- 社會
- 錶演藝術
- 20世紀中國
- 當代中國
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具體描述
著者簡介
圖書目錄
Introduction
Tradition and Experience of the Drama of the Peoples Republic of China 1
Part I
Drama on Historical Themes 29
Hai Rui Dismissed From Office and Chinas Opposition Movement 1958-1959 30
The Case of Empress Wu 54
Part II
Drama, Ideal and Theory 93
Prescriptive Dramatic Theory of the Cultural Revolution 94
A Semiotic Analysis of Taking Tiger Mountain by Strategy 119
Mei Lanfang Stanislavsky and Brecht on Chinas Stage and Their Aesthetic Significance 137
Huang Zuolings Ideal of Drama and Bertolt Brecht 151
Part III
Post 1976 Theater and Drama 163
Theater Activities in Post Cultural Revolution China 164
Commercialization and Professionalization 181
If I Were For Real and the Movie 213
Individualistic Rebels and Social Harmony in Bai Fengxis Plays 233
Functions of Literature in the Eighties and its SocioPolitical Limitations 254
Part IV
Foreign Theaters in China Two Case Studies 283
Austrian Musical Theater and Music in China 284
Performances of Ibsen in China After 1949 306
Conclusion 326
Notes on Contributors 335
Index 339
· · · · · · (收起)
Tradition and Experience of the Drama of the Peoples Republic of China 1
Part I
Drama on Historical Themes 29
Hai Rui Dismissed From Office and Chinas Opposition Movement 1958-1959 30
The Case of Empress Wu 54
Part II
Drama, Ideal and Theory 93
Prescriptive Dramatic Theory of the Cultural Revolution 94
A Semiotic Analysis of Taking Tiger Mountain by Strategy 119
Mei Lanfang Stanislavsky and Brecht on Chinas Stage and Their Aesthetic Significance 137
Huang Zuolings Ideal of Drama and Bertolt Brecht 151
Part III
Post 1976 Theater and Drama 163
Theater Activities in Post Cultural Revolution China 164
Commercialization and Professionalization 181
If I Were For Real and the Movie 213
Individualistic Rebels and Social Harmony in Bai Fengxis Plays 233
Functions of Literature in the Eighties and its SocioPolitical Limitations 254
Part IV
Foreign Theaters in China Two Case Studies 283
Austrian Musical Theater and Music in China 284
Performances of Ibsen in China After 1949 306
Conclusion 326
Notes on Contributors 335
Index 339
· · · · · · (收起)
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