具體描述
In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image.
Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings.
With Introduction by Franco “Bifo” Berardi
Edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
著者簡介
圖書目錄
Introduction
In Free Fall: A Thought Experiment on Vertical Perspective
In Defense of the Poor Image
A Thing Like You and Me
Is a Museum a Factory?
The Articulation of Protest
Politics of Art: Contemporary Art and the Transition to Post-Democracy
Art as Occupation: Claims for an Autonomy of Life
Freedom from Everything: Freelancers and Mercenaries
Missing People: Entanglement, Superposition, and Exhumation as Sites of Indeterminacy
The Spam of the Earth: Withdrawal from Representation
Cut! Reproduction and Recombination
· · · · · · (收起)
讀後感
評分
評分
評分
評分
用戶評價
熟讀並且背誦
评分又重新仔細讀瞭一遍。膽戰心驚
评分又重新仔細讀瞭一遍。膽戰心驚
评分讀完好喪
评分Hito的文字非常有力地體現瞭她的“創作者-學者”雙重身份：她的文字並不是學術寫作，卻能看齣一些理論和思辨積纍在裏麵，同時又比通常的學者要天馬星空得多，有一種基於學術又遠超學術的想象力和聯想力，給人很多啓發。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有