In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image.
Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings.
With Introduction by Franco “Bifo” Berardi
Edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
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评分在通过无谓的翻译去读,好难,但真的很厉害
评分作为一个essayist的长处对于theorist而言算作软肋,但Steyerl每篇文章都从现象出发并且提出明确的问题(或命题),实在比大多数理论的二道贩子强太多。
评分觉得女神的文字其实比作品还要漂亮太多
评分又重新仔细读了一遍。胆战心惊
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