Joseph Cornell created a "poetic theatre of memory" from his fantasies. His box constructions and collages feature such characters as a Medici princess, birds, ballerinas, and movie stars. Using the seemingly commonplace materials that he collected such as cordial glasses, mirrors, marbles, and maps, along with clippings from books and magazines, childhood games, and Victorian illustrations, Cornell beckons us into a world at once distantly magical and nostalgically like home. Diane Waldman first met Cornell in 1963, when she was writing her master of fine arts' thesis on the subject of his art, and their friendship continued until his death. In this volume she probes Cornell's elusive imagery in his earliest Surrealist-inspired collages of the 1930s, his masterful box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years, adding to the analysis of his art her own personal knowledge. Cornell's universe of objects and images, vivid with half-remembered stories, reminds us ultimately of the strangeness of the familiar, the odd familiarity of the strange, and the final mysteriousness of the world we thought we knew.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
這本的裝幀設計太好瞭！！Joseph Cornell最愛的藝術傢
评分這本的裝幀設計太好瞭！！Joseph Cornell最愛的藝術傢
评分這本的裝幀設計太好瞭！！Joseph Cornell最愛的藝術傢
评分人人都有夢，但是能夠記住夢的不多。能夠描述夢的更少，能拆解元素構建夢境的少之又少。任何一個能夠豐沛錶達夢之意境的人願意走歪都可以去組個邪教。還好他們當瞭藝術傢，比如Joseph Cornell。
评分這本的裝幀設計太好瞭！！Joseph Cornell最愛的藝術傢
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