本威努托·切利尼(Benvenuto Celini,1500-1571)是意大利16世紀後半期雕塑傢、金銀工藝師以及風格主義雕塑的代錶人物。他為法國王室和意大利統治者製作瞭大量金銀工藝品和雕塑作品,手法富於裝飾性,藝術技巧齣色。其最著名的金銀工藝品是為法國國王法蘭西斯一世製作的鹽罐(1539-1543)與珀耳修斯雕像(1545-1554)。
From Library Journal
Although most of Cellini's works in precious metals have been melted down, one surviving gold saltceller, which he completed for Francois I of France, and a number of major sculptures have secured his reputation as one of the finest Italian artists in the generation after Michelangelo. But he is most celebrated for his autobiography, which chronicles with unflagging energy and force one of the most tempestuous lives?and one of the largest egos?in all of history. Cellini served dukes, bishops, cardinals, and kings and queens of several nations, and he quarreled with them all, including two popes, one of whom, by Cellini's account, tried to murder him. He confesses to several murders himself, at least one rape, a notorious prison-break, innumerable fights and feuds. He also claims a pivotal role in defending Rome against invasion. From its first appearance in 1728 (150 years after his death), this portrait of a fanatical individualist helped define our notion of the Renaissance. The vigorous translation by John Addington Symonds (uncredited by the producer?a recurring fault) is superbly realized by British narrator Robert Whitfield, successfully bringing to tape Cellini's unforgettable story. Highly recommended for all collections.?Peter Josyph, New York
Copyright 1997 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.
From AudioFile
Enter the sixteenth-century world of Italy and the Vatican, where Cellini, a master goldsmith and sculptor, lived and flourished. Whitfield brings Cellini's autobiography to life, fluently rolling Italian and English words off his tongue and capturing the flavor of the tale. Cellini tells of his adventures, his encounters with DaVinci and Michelangelo, the Medicis and other famous people of his era. The minute details recounted by Cellini are gracefully read by Whitfield, who breathes life into this fascinating autobiography. M.B.K. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
" 最能体现艺术家才华和精神内涵的,最重要的当属他们呕心沥血创造出的艺术作品。但是对于普罗大众来说,受限于艺术鉴赏能力,要想仅仅通过欣赏、思考作品的方式深入作者的内心世界,基本上是件“不可能的任务”。因此,通读艺术家们的传记(或自传或他人写就的),不但是我...
評分“影响文艺进程的书。”罗嗦(事无巨细)、粗鄙(而非率性可爱)、肮脏(又不如宫廷)。也许只是针对对欧洲文艺复兴以来的欧洲艺术有兴趣的人来讲的。但即便如此,有50页就足够用了。实际上,不如中国明史之前的任何一本史传中的一章人物传记有意义、节俭、启发。 译者的工作...
評分哈佛百年经典——切利尼自传 文/崔朔玮 他是意大利文艺复兴时期的雕塑家、金银工艺师、作家,也是当时艺术中风格主义的代表人物。除此之外,他还闻名于世的还有他的这本自传。当初在浏览《哈佛百年经典》这套书时,很好奇,出于我对世界很多文学知识了解的浅陋,我当...
評分《切利尼自传》除了极具可读性之外,还有其不可替代的文化价值。在文艺复兴时期为数众多的艺术家之中,惟有切利尼一个人为我们留下了自传。这部自传记述了当时意大利社会生活的方方面面,可以说是文艺复兴的一面镜子,一部16世纪意大利的百科全书,其中对于很多重要人物和事件...
評分切利尼说:任何人,不管处在什么样的条件下,只要他们做了好事,或者是类似好事的事情,那么他们就是真诚的人、声誉好的人,他们就应该用他们的手将自己人生的传奇故事写下来。 切利尼传记记录了从1500年切利尼出生到1562年所发生的事;就如刚刚他所说...
頭一百頁有一種Boccacian novella/藝術傢為主角的騎士文學/藝術傢傳記的hybrid文學即視感,中段的監獄情節又加上點religious sermon和神秘主義色彩,一直到後半段纔真正變成瞭某種第一人稱、主觀視角的瓦薩裏。Cellini的一盤好菜,吃完收獲頗豐。
评分頭一百頁有一種Boccacian novella/藝術傢為主角的騎士文學/藝術傢傳記的hybrid文學即視感,中段的監獄情節又加上點religious sermon和神秘主義色彩,一直到後半段纔真正變成瞭某種第一人稱、主觀視角的瓦薩裏。Cellini的一盤好菜,吃完收獲頗豐。
评分頭一百頁有一種Boccacian novella/藝術傢為主角的騎士文學/藝術傢傳記的hybrid文學即視感,中段的監獄情節又加上點religious sermon和神秘主義色彩,一直到後半段纔真正變成瞭某種第一人稱、主觀視角的瓦薩裏。Cellini的一盤好菜,吃完收獲頗豐。
评分頭一百頁有一種Boccacian novella/藝術傢為主角的騎士文學/藝術傢傳記的hybrid文學即視感,中段的監獄情節又加上點religious sermon和神秘主義色彩,一直到後半段纔真正變成瞭某種第一人稱、主觀視角的瓦薩裏。Cellini的一盤好菜,吃完收獲頗豐。
评分頭一百頁有一種Boccacian novella/藝術傢為主角的騎士文學/藝術傢傳記的hybrid文學即視感,中段的監獄情節又加上點religious sermon和神秘主義色彩,一直到後半段纔真正變成瞭某種第一人稱、主觀視角的瓦薩裏。Cellini的一盤好菜,吃完收獲頗豐。
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