This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'.
具體描述
讀後感
在对话的早些时候，苏格拉底击败了修辞学家高尔吉亚（Gorgias）和他的追随者波洛斯（Polus）。高尔吉亚的弱点在于他不愿区分知识与行为，也就是说，他不承认一个人在明知道何为义和不义的情况下，还会做不义之事，因而他就“会不会有人将修辞作为不义的工具”这点产生了自相矛...
評分在对话的早些时候，苏格拉底击败了修辞学家高尔吉亚（Gorgias）和他的追随者波洛斯（Polus）。高尔吉亚的弱点在于他不愿区分知识与行为，也就是说，他不承认一个人在明知道何为义和不义的情况下，还会做不义之事，因而他就“会不会有人将修辞作为不义的工具”这点产生了自相矛...
評分在对话的早些时候，苏格拉底击败了修辞学家高尔吉亚（Gorgias）和他的追随者波洛斯（Polus）。高尔吉亚的弱点在于他不愿区分知识与行为，也就是说，他不承认一个人在明知道何为义和不义的情况下，还会做不义之事，因而他就“会不会有人将修辞作为不义的工具”这点产生了自相矛...
評分在对话的早些时候，苏格拉底击败了修辞学家高尔吉亚（Gorgias）和他的追随者波洛斯（Polus）。高尔吉亚的弱点在于他不愿区分知识与行为，也就是说，他不承认一个人在明知道何为义和不义的情况下，还会做不义之事，因而他就“会不会有人将修辞作为不义的工具”这点产生了自相矛...
用戶評價
Philosophy is for the young. Isn't that right, Socrates the never aging?
评分Philosophy is for the young. Isn't that right, Socrates the never aging?
评分Philosophy is for the young. Isn't that right, Socrates the never aging?
评分Philosophy is for the young. Isn't that right, Socrates the never aging?
评分譯得很妙，但排版有點坑，談話者名字加粗體就好瞭。
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