Paula Vogel is an American playwright and university professor. She received the 1998 Pulitzer Prize for Drama for her play, How I Learned to Drive.
Vogel was born in Washington, D.C. to Donald Stephen Vogel, an advertising executive, and Phyllis Rita Bremerman, a secretary for United States Postal Service Training and Development Center. She is a graduate of The Catholic University of America (1974, B.A.) and Cornell University (1976, M.A.). Vogel also attended Bryn Mawr College from 1969 to 1970 and 1971 to 1972.
A productive playwright since the late 1970s, Vogel first came to national prominence with her AIDS-related seriocomedy The Baltimore Waltz, which won the Obie award for Best Play in 1992. She is best known for her Pulitzer Prize-winning play How I Learned To Drive (1997), which examines the impact and echoes of child sexual abuse and incest. Other notable plays include Desdemona, A Play About A Handkerchief (1979); The Oldest Profession (1981); And Baby Makes Seven (1984); Hot 'N Throbbing (1994); and The Mineola Twins (1996).
The 1950s pop music accompanying Li'l Bit's excursion down memory lane cannot drown out the ghosts of her past. Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.
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重標一遍單行本。也許這次,我終於得以沉下來好好讀它。五星不足以說明。
评分很棒!文本中的女性都是男權社會的産物。最無奈的就是沒有人察覺,並習以為常,成為迫害自己的捍衛者。最復雜的就是Peck,很難定性他的行為。或許就像《女性癮者》說的一樣,作為一個戀童癖者,他根本就是一個男孩,卑微、怯弱卻又一直無法擺脫自己深層欲望的控製。可悲的是,洛麗塔終究會長大,Herbert卻永遠還是Herbert。學開車是一場成人禮,Bit從Pussy成瞭wild cat;而Perk失去駕照,也就完全失去瞭生活的控製。這種引入古希臘chorus來淡化群眾的效果真贊!就像chiaroscuro一樣,舞颱隻剩兩柱spotlights,很好地聚焦以突齣主角的對立,這纔是真正的protagonist vs antagonist!敘事技巧在濛太奇和意識流和倒敘插敘中玩得真是精彩,人物塑造既復雜又豐滿
评分第一人稱敘事,女性在男權社會中身不由已。 藉用“少女洛麗塔走上坡路,中年童子軍走下坡路”,難以抑製的、超乎倫理的欲望,無法單一用病態來定性。 人是如此。
评分很棒!文本中的女性都是男權社會的産物。最無奈的就是沒有人察覺,並習以為常,成為迫害自己的捍衛者。最復雜的就是Peck,很難定性他的行為。或許就像《女性癮者》說的一樣,作為一個戀童癖者,他根本就是一個男孩,卑微、怯弱卻又一直無法擺脫自己深層欲望的控製。可悲的是,洛麗塔終究會長大,Herbert卻永遠還是Herbert。學開車是一場成人禮,Bit從Pussy成瞭wild cat;而Perk失去駕照,也就完全失去瞭生活的控製。這種引入古希臘chorus來淡化群眾的效果真贊!就像chiaroscuro一樣,舞颱隻剩兩柱spotlights,很好地聚焦以突齣主角的對立,這纔是真正的protagonist vs antagonist!敘事技巧在濛太奇和意識流和倒敘插敘中玩得真是精彩,人物塑造既復雜又豐滿
评分go to college to learn and read and legally lie on your back in the dark
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