A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
To be and to seem
评分隻看瞭其中《費加羅的婚禮》的劇本部分。大贊！Full of fun, irony, drama, intrigue, and, most importantly, ridicule.
评分隻看瞭其中《費加羅的婚禮》的劇本部分。大贊！Full of fun, irony, drama, intrigue, and, most importantly, ridicule.
评分初次接觸是從歌劇開始，歌劇隻突齣瞭follies, 捨棄瞭男性在兩性關係中的本質，對於權威的嘲諷，以及女性獨立意識。
评分初次接觸是從歌劇開始，歌劇隻突齣瞭follies, 捨棄瞭男性在兩性關係中的本質，對於權威的嘲諷，以及女性獨立意識。
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