Metafiction begins by surveying the state of contemporary fiction in Britain and America and explores the complex political, social and economic factors which influence critical judgment of fiction. The author shows how, as the novel has been eclipsed by the mass media, novelists have sought to retain and regain a wide readership by drawing on the themes and preoccupations of these forms. Making use of contemporary fiction by such writers as Fowles, Borges, Spark, Barthelme, Brautigan, Vonnegut and Barth, and drawing on Russian Formalist theories of literary evolution, the book argues that metafiction uses parody along with popular genres and non-literary forms as a way not only of exposing the inadequate and obsolescent conventions of the classic novel, but of stuggesting the lines along which fiction might develop in the future.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
intrude upon the scene
评分看到Kilgore Trout都快淚流滿麵瞭……老馮T T 該提的點都在瞭，語言轉嚮，self-referential，parody與神使鬼差的作者，隻是後設世界中想找一個解實在不易。隻怪自己沒長進，兩年前讀洛奇君時欠下的功課至今沒補上。估計明天寫論文還是雲裏霧裏。滾床先。
评分看到Kilgore Trout都快淚流滿麵瞭……老馮T T 該提的點都在瞭，語言轉嚮，self-referential，parody與神使鬼差的作者，隻是後設世界中想找一個解實在不易。隻怪自己沒長進，兩年前讀洛奇君時欠下的功課至今沒補上。估計明天寫論文還是雲裏霧裏。滾床先。
评分1984年就齣瞭這樣一本書，實屬不易。文學的本體論，似乎很少有人關注這塊。
评分1984年就齣瞭這樣一本書，實屬不易。文學的本體論，似乎很少有人關注這塊。
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