Origins of Modern Japanese Literature pdf epub mobi txt 电子书 下载 2025
- 日本
- 文学理论
- 现代性
- 柄谷行人
- 文学批评
- 日本文学
- 文学
- 马克思
- 日本文学
- 现代文学
- 文学史
- 起源
- 古典文学
- 日本文化
- 语言演变
- 文学发展
- 早期日本
- 文学批评
具体描述
From Library Journal
While this work of literary theory, which first appeared in Japanese in 1980, concentrates on the literature and thought of the 1980s, it challenges readers to reinterpret the literature of the entire Meiji Period (1868-1926) in six discrete essays plus a forward by Frederick Jameson and materials added for the English and paperback editions. Karatani (literature, Hosei Univ.) is at his most provocative when discussing the "discovery" of landscape in painting and literature as well as of the child as a human being. In his examinations of such important Meiji writers as Soseki, Kunidida Doppo, Tayama Katai, and Tsubouchi Shoyo, he offers insightful cultural criticism of subjects such as ethnography, religion, language, and modernity in the West and East. This far-reaching and bold reconsideration of Japanese literary history can be appreciated by scholars of modern thought and literature, above all those versed in Japanese studies.
- D.E. Perushek, Univ. of Tennessee, Knoxville
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
“Karatani Kojin’s Origins of Modern Japanese Literature (Nihon Kindai bungaku no kigen) has had a profound effect on the way we formulate the questions we ask about modern literature and culture, and that effect will no doubt be redoubled now that the work is available in a lucid (and carefully annotated) English translation. . . . Karatani’s argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself. . .”
--Stephen Snyder, The Journal of Asian Studies
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目录信息
读后感
严格来说这并不是对这本书的评价，甚至也不能说是完全基于这本书所展开的思考，甚至——也不全然在谈论文学，真的，我已经不想再谈论文学了。 让我们首先花一些时间去回顾一下近代文学的风景是如何对古典的风景做出反叛的： 古典的风景的出现前置了一个离世瞬间，这一瞬间带来...
评分 评分柄谷的行文思路是一而贯终的，所以，每一章的内容虽然有所差异，但是其本质内涵是相同的，在这里讨论“儿童”一节。首先要强调的是柄谷所说的“儿童”与孩子和“大众”与柳田国男的常民的理解，常民和孩子都是具体存在于社会中的人，而“儿童”与“大众”则是知识人为发现自我...
评分 评分在探讨文学的现代性以及由之带来的许多连锁反应的时候，有很多非常富有见地的视角。例如对于解构西方话语体系下近代文学的尝试，以及从后康德主义的角度对于风景的发现的论述……同时这本书所提供的这些视角并不仅仅限于讨论「文学」，在讨论其他艺术媒介，例如电影时，也相当...
用户评价
总有那么一类人，思想惊为天人而写法拉拉杂杂，让人讨厌（ 但还是希望我们都能读到柄谷行人君！இ௰இ
评分题材挺有意思，landscape真是popular topic，大概是我读惯了学术界系统写作方式，这书写得一散我就觉得理据不足的。
评分总有那么一类人，思想惊为天人而写法拉拉杂杂，让人讨厌（ 但还是希望我们都能读到柄谷行人君！இ௰இ
评分总有那么一类人，思想惊为天人而写法拉拉杂杂，让人讨厌（ 但还是希望我们都能读到柄谷行人君！இ௰இ
评分题材挺有意思，landscape真是popular topic，大概是我读惯了学术界系统写作方式，这书写得一散我就觉得理据不足的。
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