The martial arts novel is one of the most distinctive and widely-read forms of modern Chinese fiction. In Paper Swordsmen, John Christopher Hamm offers the first in-depth English-language study of this fascinating and influential genre, focusing on the work of its undisputed twentieth-century master, Jin Yong. Through close readings of Jin Yong’s recognized masterpieces, Hamm shows how these works combine a rich literary tradition with an extraordinary narrative artistry and an evolving appreciation of the political and cultural aspects of contemporary Chinese experience.
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A well-written and focused Bourdieuian analysis of Jin Yong's fiction and the mid-to-late 20th century literary field in Hong Kong and mainland China. Hamm skillfully combines textual criticism and explorations of the broader historical and sociocultural context into an intelligent narrative that is nevertheless not weighed down by the deployment of theory.
评分A well-written and focused Bourdieuian analysis of Jin Yong's fiction and the mid-to-late 20th century literary field in Hong Kong and mainland China. Hamm skillfully combines textual criticism and explorations of the broader historical and sociocultural context into an intelligent narrative that is nevertheless not weighed down by the deployment of theory.
评分A well-written and focused Bourdieuian analysis of Jin Yong's fiction and the mid-to-late 20th century literary field in Hong Kong and mainland China. Hamm skillfully combines textual criticism and explorations of the broader historical and sociocultural context into an intelligent narrative that is nevertheless not weighed down by the deployment of theory.
评分A well-written and focused Bourdieuian analysis of Jin Yong's fiction and the mid-to-late 20th century literary field in Hong Kong and mainland China. Hamm skillfully combines textual criticism and explorations of the broader historical and sociocultural context into an intelligent narrative that is nevertheless not weighed down by the deployment of theory.
评分A well-written and focused Bourdieuian analysis of Jin Yong's fiction and the mid-to-late 20th century literary field in Hong Kong and mainland China. Hamm skillfully combines textual criticism and explorations of the broader historical and sociocultural context into an intelligent narrative that is nevertheless not weighed down by the deployment of theory.
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