Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be "modern" is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels. In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that "the modern" took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s.
具體描述
讀後感
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用戶評價
嗯，從涵蓋的作傢作品和時間跨度上來看確實是本挺好的20世紀拉美小說史，其中對於具體的每個時期的社會文化背景，對具體作品的解讀也都不錯。不過作者並沒有把他所說的“desire to be modern”的具體含義解釋清楚，這讓人總是覺得有些虛。
评分嗯，從涵蓋的作傢作品和時間跨度上來看確實是本挺好的20世紀拉美小說史，其中對於具體的每個時期的社會文化背景，對具體作品的解讀也都不錯。不過作者並沒有把他所說的“desire to be modern”的具體含義解釋清楚，這讓人總是覺得有些虛。
评分嗯，從涵蓋的作傢作品和時間跨度上來看確實是本挺好的20世紀拉美小說史，其中對於具體的每個時期的社會文化背景，對具體作品的解讀也都不錯。不過作者並沒有把他所說的“desire to be modern”的具體含義解釋清楚，這讓人總是覺得有些虛。
评分嗯，從涵蓋的作傢作品和時間跨度上來看確實是本挺好的20世紀拉美小說史，其中對於具體的每個時期的社會文化背景，對具體作品的解讀也都不錯。不過作者並沒有把他所說的“desire to be modern”的具體含義解釋清楚，這讓人總是覺得有些虛。
评分嗯，從涵蓋的作傢作品和時間跨度上來看確實是本挺好的20世紀拉美小說史，其中對於具體的每個時期的社會文化背景，對具體作品的解讀也都不錯。不過作者並沒有把他所說的“desire to be modern”的具體含義解釋清楚，這讓人總是覺得有些虛。
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