The Manticore (Penguin Classics)

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出版者:Penguin Classics
作者:Robertson Davies
出品人:
页数:262
译者:
出版时间:2006-02-28
价格:USD 16.00
装帧:Paperback
isbn号码:9780143039136
丛书系列:
图书标签:
  • 英文待购
  • 小说
  • 奇幻
  • 冒险
  • 古典文学
  • 神话
  • 怪物
  • 希腊神话
  • 文学
  • 小说
  • Penguin Classics
  • 历史
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具体描述

Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore —the second book in the series after Fifth Business —follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father.

作者简介

Robertson Davies, novelist, playwright, literary critic and essayist, was born in 1913 in Thamesville, Ontario. He was educated at Queen's University, Toronto, and Balliol College, Oxford. Whilst at Oxford he became interested in the theatre and from 1938 until 1940 he was a teacher and actor at the Old Vic in London. He subsequently wrote a number of plays. In 1940 he returned to Canada, where he was literary editor of Saturday Night, an arts, politics and current affairs journal, until 1942, when he became editor and later publisher of the Peterborough Examiner. Several of his books, including The Diary of Samuel Marchbanks and The Table Talk of Samuel Marchbanks, had their origins in an editorial column. In 1962 he was appointed Professor of English at the University of Toronto, and in 1963 was appointed the first Master of the University's Massey College. He retired in 1981, but remained Master Emeritus and Professor Emeritus. He held honorary doctorates from twenty-six universities in the UK, the USA and Canada, and he received numerous awards for his work, including the Governor-General's Award for The Manticore in 1973. It is as a writer of fiction that Robertson Davies achieved international recognition, with such books as The Salterton Trilogy (Tempest-Tost, Leaven of Malice, winner of the Leacock Award for Humour, and A Mixture of Frailties); The Deptford Trilogy (Fifth Business, The Manticore and World of Wonders); The Cornish Trilogy (The Rebel Angels, What's Bred in the Bone, shortlisted for the 1986 Booker Prize, and The Lyre of Orpheus); Murther & Walking Spirits; and The Cunning Man. His other work includes One Half of Robertson Davies, The Enthusiasms of Robertson Davies, Robertson Davies: The Well-Tempered Critic, The Papers of Samuel Marchbanks, High Spirits, A Voice from the Attic and The Merry Heart, a posthumous collection of autobiography, lectures and essays. Many of his books are published by Penguin.

Robertson Davies died in December 1995. Malcolm Bradbury described him as 'one of the great modern novelists', and in its obituary The Times wrote: 'Davies encompassed all the great elements of life...His novels combined deep seriousness and psychological inquiry with fantasy and exuberant mirth.'

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我得说,我初读这本书的体验是相当具有挑战性的,它不像一些通俗小说那样,上来就抛出引人入胜的情节钩子,而是更像一位老练的叙事者,慢条斯理地为你铺陈世界观和人物关系。起初的几章,我甚至有些迷失在那些复杂的家族背景和错综复杂的时间线里,感觉自己像是在一个迷宫中摸索。但正是这种需要“努力”去理解的阅读过程,才让最终的顿悟显得格外甘甜。作者的语言功力深厚得令人咋舌,他似乎能用最精准的词汇去描摹最微妙的情感波动,那种细腻的心理描写,简直是教科书级别的示范。我常常需要停下来,反复咀嚼某一个长句,思考其中蕴含的多层含义,甚至会拿出一支笔在旁边做些批注。这本书的价值,绝非一目十行可以捕捉,它要求读者付出专注和耐心,而一旦你真正进入那个语境,你会发现,所有初期的困惑都是值得的,因为它为你打开了一扇通往深刻洞察的大门。

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这本书的封面设计简直是一场视觉盛宴,那种古典的、略带神秘感的插画风格,瞬间就将我拉入了一个充满想象力的世界。我本来就是那种对设计感很挑剔的读者,通常不会轻易被一个大众化的版本吸引,但这个“企鹅经典”系列的排版和字体选择,透露出一种对文字的尊重和对阅读体验的极致追求。拿在手里,那种纸张的质感,微涩却又厚实,让人忍不住想要沉浸其中,仿佛触摸到了作者跨越时空的灵魂。我记得我第一次翻开它,是在一个雨天的下午,窗外是淅沥沥的水声,室内只有台灯投下的温暖光晕,那种氛围感,是再好的电子阅读器也无法替代的。它不仅仅是一本书,更像是一件精心打磨的艺术品,摆在书架上都自带光芒,让人每次路过,都会忍不住伸手去摩挲一下。这种对于实体书的偏爱,在这个快餐时代显得尤为珍贵,它提醒着我们,有些经典值得用更郑重的方式去对待和收藏。

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这部作品最让我感到震撼的,是它对人性深处那些隐秘角落的无情解剖。它没有提供廉价的答案或简单的对错划分,相反,它将角色们置于道德的灰色地带,让他们在巨大的压力和诱惑面前挣扎、选择、乃至沉沦。我总觉得,很多当代小说在刻画人物时,总是不自觉地带有某种“政治正确”的影子,人物要么是完美英雄,要么是脸谱化的恶人。但在这本书里,每个人物都是活生生的、矛盾的集合体。他们的动机复杂,他们的行为常常是情有可原但又难以辩护的。读到某些情节时,我甚至会感到一阵寒意,因为我仿佛看到了自己内心深处那些不愿承认的阴暗面被赤裸裸地揭示出来。这种直面真实的勇气,是文学最高境界的体现之一,它迫使读者跳出自己的舒适区,去思考“如果是我,我会怎么做?”。

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对于我来说,阅读经典文学的意义,不仅仅在于欣赏故事本身,更在于它提供的参照系。很多我原本认为是个性化、独特的人生困境或社会现象,在这本书里都能找到更早、更深刻的源头和共鸣。这部作品仿佛提供了一份关于人类经验的“元数据”,它探讨的主题——例如权力腐蚀、身份认同的危机、代际间的隔阂——在不同时代背景下依然闪耀着惊人的相关性。它拓宽了我的思维边界,让我看问题不再局限于当下的媒体语境。它不是那种读完就扔的“消遣品”,而是一本需要时间去消化、去沉淀的“精神食粮”。每隔几年重读一遍,都会有新的感悟,仿佛每次重逢,那个世界都会以一种新的面貌展现在我的面前,这才是真正伟大的文学作品的生命力所在。

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从纯粹的文学技巧角度来看,这本书的结构处理堪称大师级别。叙事的节奏感掌握得极其精准,高潮迭起,张弛有度。它并非线性叙事,而是巧妙地运用了回忆、插叙甚至是梦境的片段,将故事的碎片一块块地散落在读者面前。这种碎片化的叙事,一开始可能让人感到信息量过载,但随着阅读的深入,你会发现每一个看似不经意的细节,都是为了最终拼凑出一个宏大而完整的图景。最绝妙的是,作者在关键转折点设置的“留白”,他不会把话说得太满,而是把解释的权力交还给了读者。这种开放式的处理,极大地激发了我的参与感和解读欲,读完之后,我忍不住上网去搜索各种解读和理论,与他人的见解交流碰撞,这种阅读后的“二次创作”过程,本身就是一种极大的享受。

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相当有趣!有空去把第一本和第三本也看了。

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相当有趣!有空去把第一本和第三本也看了。

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相当有趣!有空去把第一本和第三本也看了。

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相当有趣!有空去把第一本和第三本也看了。

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相当有趣!有空去把第一本和第三本也看了。

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