Born to a white mother and an absent black father, and despised for her dark skin, Helga Crane has long had to fend for herself. As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. "Quicksand," Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life. "Fine, thoughtful and courageous. It is, on the whole, the best piece of fiction that Negro America has produced since the heyday of Charles] Chesnutt." (W. E. B. Du Bois)
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从黑人女性sexuality角度对哈莱姆"新黑人"文艺复兴时期北方大都市里日益复杂的种族、性别、阶级关系进行反思 (Larsen一方面犀利地批判并拒绝接受由Fauset代表的都市黑人中产阶级文化 一方面击碎了Hurston所代表的对南方黑人the folk的浪漫化的文化想象)
评分从黑人女性sexuality角度对哈莱姆"新黑人"文艺复兴时期北方大都市里日益复杂的种族、性别、阶级关系进行反思 (Larsen一方面犀利地批判并拒绝接受由Fauset代表的都市黑人中产阶级文化 一方面击碎了Hurston所代表的对南方黑人the folk的浪漫化的文化想象)
评分从黑人女性sexuality角度对哈莱姆"新黑人"文艺复兴时期北方大都市里日益复杂的种族、性别、阶级关系进行反思 (Larsen一方面犀利地批判并拒绝接受由Fauset代表的都市黑人中产阶级文化 一方面击碎了Hurston所代表的对南方黑人the folk的浪漫化的文化想象)
评分从黑人女性sexuality角度对哈莱姆"新黑人"文艺复兴时期北方大都市里日益复杂的种族、性别、阶级关系进行反思 (Larsen一方面犀利地批判并拒绝接受由Fauset代表的都市黑人中产阶级文化 一方面击碎了Hurston所代表的对南方黑人the folk的浪漫化的文化想象)
评分从黑人女性sexuality角度对哈莱姆"新黑人"文艺复兴时期北方大都市里日益复杂的种族、性别、阶级关系进行反思 (Larsen一方面犀利地批判并拒绝接受由Fauset代表的都市黑人中产阶级文化 一方面击碎了Hurston所代表的对南方黑人the folk的浪漫化的文化想象)
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