This monumental work, complete in two volumes, culminated Henry Adams' lifelong fascination with the American past. First published in nine volumes from 1889-91, it has been judged one of the greatest historical works in English -- and yet has been out of print for several decades. Adams' History traces the formative period of American nationality from the rise of Thomas Jefferson's Republican party through the War of 1812. Hoping to keep the United States out of Europe's Napoleonic wars, Jefferson's pacificism instead antagonizes both France and England, the two greatest military powers in the world. While the states threaten to duplicate the map of Europe by dissolving into separate, squabbling sections, Madison leads the country into a war with British regulars and Indian tribes that he is illequipped to fight. Yet time is on the side of the American people -- who, despite statesmen and generals, emerge from the conflict a single nation ready to flex its burgeoning muscles. In Adams' ironic narrative, personalities like Bonaparte and Aaron Burr, William "Tippecanoe" Harrison and Andrew Jackson, Shawnee leader Tecumseh and Haitian revolutionary Toussaint Louverture act their glittering parts against a background of inexorable historical forces that transform the United States from a pre-industrial backwater into an emergent world power. In this first volume, Jefferson's optimistic laissez-faire principles -- designed to prevent American government from becoming a militaristic European "tyranny" -- clash with the realities of European war and American security. The party of small government presides over the Louisiana Purchase, the most extensive use of executive power the country had yet seen. Jefferson's embargo -- a high-minded effort at peaceable coercion -- breeds corruption and smuggling, and the former defender of states' rights is forced to use federal power to suppress them. The passion for peace and liberty pushes the country toward war. In the center of these ironic reversals, played out in a Washington full of diplomatic intrigue, is the complex figure of Jefferson himself, part tragic visionary, part comic mock-hero. Like his contemporary Napoleon Bonaparte, he is swept into power by the rising tide of democratic nationalism; unlike Bonaparte, he tries to avert the consequences of the wolfish struggle for power among nation-states. The grandson of one president and great-grandson of another, Adams gained access to hitherto secret archives in Europe. The diplomatic documents that lace the history lend a novelistic intimacy to scenes such as Jefferson's conscientious introduction of democratic table manners into stuffily aristocratic state dinner parties. Written in a strong, lively style pointed with Adams' wit, the History chronicles the consolidation of American character, and poses questions about the future course of democracy.
Born in 1838 into one of the oldest and most distinguished families in Boston, a family which had produced two American presidents, Henry Adams had the opportunity to pursue a wide-ranging variety of intellectual interests during the course of his life. Functioning both in the world of practical men and afffairs (as a journalist and an assistant to his father, who was an American diplomat in Washinton and London), and in the world of ideas (as a prolific writer, the editor of the prestigious North American Review, and a professor of medieval, european, and American history at Harvard), Adams was one of the few men of his era who attempted to understand art, thought, culture, and history as one complex force field of interacting energies. His two masterworks in this dazzling effort are Mont Saint Michel and Chartres and The Education of Henry Adams, published one after the other in 1904 and 1907. Taken together they may be read as Adams' spiritual autobiography—two monumental volumes in which he attempts to bring together into a vast synthesis all of his knowledge of politics, economics, psychology, science, philosophy, art, and literature in order to attempt to understand the individual's place in history and society. They constitute one of the greatest historical and philosophical meditations on the human condition in all of literature.
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这本书的语言风格,用“醇厚”来形容或许最为贴切,它既有十九世纪古典历史学派的庄重感,又巧妙地融入了当代社会科学的分析工具,形成了一种独特的张力。句式结构往往复杂而严谨,充满了精妙的从句和转折,要求读者必须全神贯注地跟上作者的思路。你不能指望用浏览网页的速度来消化这些文字,它要求你慢下来,细细品味每一个动词和形容词的选择。例如,他描述某项政策执行时的“悖论式后果”,所用的词汇精准而富于张力,一下子就能抓住核心矛盾。这种文学性的高度,使得即便是对于那些不精通美国早期政治史的普通读者来说,阅读过程本身也是一种智力上的享受,仿佛在欣赏一曲精心编排的交响乐,每一个乐章的衔接都严丝合缝,最终汇聚成一个宏大而令人深思的乐章。
评分这本书的资料引注系统无疑是教科书级别的典范。我习惯性地去核对了几个关键章节的脚注,结果发现其详尽程度令人咋舌。每当作者抛出一个稍有争议的论点或引用了一段鲜为人知的私人信件时,脚注便会精准地指向原始出处,包括手稿的收藏地、卷宗编号乃至微缩胶卷的位置。这种对一手资料的依赖,为整部作品构建了坚不可摧的学术基础。对于研究者而言,这简直是一座宝库,因为它不仅仅提供了结论,更清晰地展示了得出结论的过程和所依据的证据链条。更令人称赞的是,作者在尾声处附上的“研究方法论”一节,坦诚地说明了他在筛选和解释这些错综复杂的史料时所遵循的原则,这种透明度极大地增强了读者对作者的信任感,也为后来的学者提供了可供借鉴的治学范本。
评分这本书的装帧设计着实让人眼前一亮。厚实的硬壳封面,那种略带粗粝感的米白色纸张,触感非常舒服,仿佛能感受到历史的沉淀。书脊上的烫金字体在灯光下泛着低调而典雅的光泽,字体选择上也颇为考究,既有古典的韵味又不失现代的清晰度。翻开扉页,你会发现排版极为精致,字体大小和行间距的拿捏恰到好处,即使是长时间阅读也不会感到眼睛疲劳。我尤其欣赏作者在引用原始文献时所采用的那种细小的、略带手写感的字体,这种细节处理无疑是为这部严肃的历史著作增添了一份文献学的严谨和美感。装帧的整体风格传递出一种严肃的学术态度,但同时又不失作为一本精装书应有的收藏价值。我甚至愿意花时间去研究一下印刷厂的工艺,因为这种对实体书品质的追求,在如今这个电子阅读盛行的时代,显得尤为珍贵和令人敬佩。光是捧着它,就已经能感受到一种庄重感,让人在阅读前就对即将展开的文本内容抱持着极高的期待。
评分阅读体验上,这本书的叙事节奏掌握得非常老道和成熟,完全不像某些历史作品那样堆砌枯燥的年代记。作者的笔触如同高超的棋手,深谙何时该抽丝剥茧,细致入微地描绘关键的政治博弈与外交手腕,何时又该腾挪自如,将宏大的时代背景瞬间铺陈开来。他似乎有一种天赋,能将那些看似抽象的宪政原则和复杂的党派斗争,转化为一系列充满张力的戏剧性场景。我发现自己很容易就被卷入到当时的决策层内部的争论之中,仿佛能听到汉密尔顿和杰斐逊之间那唇枪舌剑的交锋。这种叙事的力量,在于它从未放弃对个体动机和人性深处的探究。即便是那些被后世简化为标签的政治人物,在这里也展现出多维度的复杂性,他们的犹豫、他们的野心、他们的道德困境,都通过细腻的文字被挖掘出来。这使得阅读过程充满了智力上的挑战和情感上的共鸣,绝非单向度的信息灌输。
评分从历史观点的深度来看,这本书展现出一种令人耳目一新的批判性视角。它没有简单地重复那些耳熟能详的“美国建国神话”,而是大胆地挑战了许多既定的历史评价。特别是对于早期联邦主义与共和主义之间那段微妙的权力平衡的探讨,作者引入了许多近几十年才解密的档案资料,使得我们对当时各州与中央政府之间关系紧张度的理解提升到了一个新的层面。书中对于奴隶制和原住民议题的处理尤为克制但有力,没有过度煽情,而是冷峻地呈现了这些制度性矛盾如何像幽灵一样潜伏在建国理想的基石之下,并预示着未来冲突的必然性。这种对历史“阴影面”的诚实直面,体现了作者深厚的学术良知和对历史真相的执着追求,使得整部作品的论证力度倍增,远超一般的通史类读物。
评分调调很ironic 如果了解早期美国历史 这个是必读了。感谢美国文库 北大图书馆里的那个太旧太脆了 借出来不敢看 怕翻几页书碎了
评分调调很ironic 如果了解早期美国历史 这个是必读了。感谢美国文库 北大图书馆里的那个太旧太脆了 借出来不敢看 怕翻几页书碎了
评分调调很ironic 如果了解早期美国历史 这个是必读了。感谢美国文库 北大图书馆里的那个太旧太脆了 借出来不敢看 怕翻几页书碎了
评分调调很ironic 如果了解早期美国历史 这个是必读了。感谢美国文库 北大图书馆里的那个太旧太脆了 借出来不敢看 怕翻几页书碎了
评分调调很ironic 如果了解早期美国历史 这个是必读了。感谢美国文库 北大图书馆里的那个太旧太脆了 借出来不敢看 怕翻几页书碎了
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