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出版者:Greenwood Pub Group

作者:Vest, James M.

出品人:

页数:255

译者:

出版时间:2003-10

价格:$ 98.25

装帧:HRD

isbn号码:9780275970895

丛书系列:

图书标签:

Hitchcock
French Cinema
Film Studies
Alfred Hitchcock
France
Cultural Studies
Film History
Media Studies
European Cinema
Psychoanalysis

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具体描述

In his bold new study of the career of one of filmmaking's premier directors, author James M. Vest traces two intertwining strands of history: Alfred Hitchcock's interest in French culture, and French critics' sometimes complementary, sometimes confrontational interest in him. In the 1950s, Hitchcock was increasingly committed to including French-related elements in his films to enhance suspense and humor. At that same time, young critics in France-including Fran ois Truffaut, Claude Chabrol, Eric Rohmer, and Jean-Luc Godard-discovered in Hitchcock's films the mark of an "auteur." They saw in him the creator of a cohesive body of work that bore his unique imprint, and in so doing, they countered the dominant opinion of Hitchcock as a proficient craftsman but ultimately just a maker of implausible melodramas. These interactions, explored fully and in-depth here, led not only to a revolution in film criticism, but also to a reenergizing of French cinema as well as the creation of a reputation that has lasted decades. Here is examined for the first time the cultural and intellectual background of those convergences in the mid-1950s-when the auteur theory was first being developed-as well as Hitchcock's transformation of French source materials in such films as "I ConfesS" and "Vertigo," his use of French allusions in several films, and his New Wave tendencies in others. Providing access to books, essays, reviews, screenplays, and advertisements not generally available, "Hitchcock and France" chronicles a crucial period in the history of both filmmaking and film-viewing.

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