Bait and Switch

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出版者:Metropolitan Books
作者:Barbara Ehrenreich
出品人:
页数:256
译者:
出版时间:2005-9-6
价格:USD 24.00
装帧:Hardcover
isbn号码:9780805076066
丛书系列:
图书标签:
  • 社會紀實
  • 心理学
  • 行为经济学
  • 营销
  • 消费者行为
  • 欺骗
  • 决策
  • 影响力
  • 谈判
  • 商业伦理
  • 社会心理学
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具体描述

Amazon.com Questions for Barbara Ehrenreich Through over three decades of journalism and activism and over a dozen books, Barbara Ehrenreich has been one of the most consistent and imaginative chroniclers of class in America, but it was her bestselling 2001 book, Nickel and Dimed, a undercover expose of the day-to-day struggles of the working poor, that has been the most influential work of her career. Now, with Bait and Switch, she has gone undercover again, this time as a middle-aged professional trying to get a white-collar job in corporate America. We asked her a few questions about what she found: Amazon.com: Your previous book, Nickel and Dimed, became a blockbuster bestseller with a classic "there but for the grace of God go I" liberal message just when the general political mood of the country seemed to be going in a very different direction. Why do you think it struck such a chord? What sorts of reactions have you gotten to it over the past four years? Barbara Ehrenreich: A lot of Nickel and Dimed readers are people who regularly inhabit the low-wage work world, and many of them write to tell me that the book affirmed their experience and made them feel less alone and ignored. Other readers though, are affluent people who write to say I opened their eyes to a world they'd been unaware of. For those people, I think one appealing feature of Nickel and Dimed is that it's a personal narrative that gives them a look at lives lived at the margins of their own. The most gratifying response has been from people who tell me the book inspired them to become activists for things like a living wage or affordable housing. Amazon.com: At what point did you realize that your new book, Bait and Switch, in which you went undercover again, this time to tell a story of working in corporate America, was instead becoming one of not working in corporate America? Is that the story you expected to tell? Ehrenreich: My initial aim was not "to tell a story of working in corporate America" but to try to understand the human underside of corporate America--the job insecurity, the constant layoffs and downsizings that now occur even in the best of times. I expected to get a job and hence an inside view, but I always knew that that would be very difficult. After about 4-5 months of job searching, I began to get seriously discouraged, but I also came to understand that a fruitless search is in fact a very common experience. After all, today 44 percent of the long-term unemployed are white collar folks--an unusually high percentage. It's their world I entered, and their story that I tell in Bait and Switch. Amazon.com: For someone with a white-collar career, you didn't have much experience in corporate culture before you attempted to join it for this book. What surprised you the most about what you found? Ehrenreich: What surprised me most, right from day one of my job search, was the surreal nature of the job searching business. For example, everyone, from corporations to career coaches, relies heavily on "personality tests" which have no scientific credibility or predictive value. One test revealed that I have a melancholy and envious nature and, for some reason, was unsuited to be a writer! And what does "personality" have to do with getting the job done, anyway? There's far less emphasis on skills and experience than on whether you have the prescribed upbeat and likeable persona. I kept wondering: Is this any way to run a business? I was also surprised--and disgusted--by the constant victim-blaming you encounter among coaches, at networking events for the unemployed, and in the business advice books. You're constantly told that whatever happens to you is the result of your attitude or even your "thought forms"--not a word about the corporate policies that lead to so much turmoil and misery. Amazon.com: You seemed to make much closer ties with your fellow workers in Nickel and Dimed than you did on the white-collar job hunt. What was different this time? Ehrenreich: You're right--there is a difference. But it's not so much a matter of personalities as it is about two different worlds. There's a lot of camaraderie in the blue-collar world I entered in Nickel and Dimed. People help each other and look out for each other; they laugh together--often at the managers. The white-collar world doesn't encourage camaraderie, far from it. There it's all about competition and fear--of losing one's job, for one thing. Other people are seen as sources of contacts or tips, at best; as competitors or rivals, at worst. And among the unemployed add shame and a sense of personal failure, the constant message that it's all your own fault. All this discourages any solidarity with others or real openness. Amazon.com: God forbid anyone would come to your book as a guide for finding a white-collar job, but what advice would you give to someone in the shoes you put yourself in: a middle-aged professional woman, in fear of falling irrevocably out of touch with the world of the regularly employed? Ehrenreich: You don't think I'd make a good career coach? OK, but I have three pieces of advice for the middle-aged, middle-class job seeker anyway: One, be very careful how you spend your money and time. Since the mid-90s, a whole industry has sprung up to help--or, depending on your point of view, prey upon--white-collar job seekers. The "professionals" in this business are usually entirely unlicensed and unregulated. Also, watch out for events billed as "networking" opportunities that really have another agenda--like recruiting you into expensive coaching or proselytizing you into a particular religion. Two, don't count on the internet job sites to find you a job or even an interview. On any of these sites, your resume will be competing with hundreds of thousands of others, and most large companies today don't even bother reading online resumes; they have computer programs scan them for keywords (and you won't know what those keywords are.) Three, and most important: stop believing that it's your own fault. That's the first step to recognizing the common problems facing white-collar workers and responding to them. I'd be thrilled if this book, like Nickel and Dimed, also inspires readers to get involved and become active in efforts to make life a little easier for the growing numbers of people who are unemployed, underemployed, or anxiously employed. What could they do? Lobby for universal health insurance that's not tied to a job, for example. Fight for extended unemployment benefits. Raise their voices to complain about corporate tax breaks and subsidies that are justified in terms of "job creation" but often go to companies that are busy laying people off. One major reason job loss is so catastrophic is that we just don't have much of a safety net in this country. That has to change, and who's going to make it change, if not people like those I met in Bait and Switch? I've got a new website, barbaraehrenreich.com, and I'd like to hear from readers--both their stories and their ideas for how to take action. Classic Ehrenreich Nickel and Dimed: On (Not) Getting By in America Fear of Falling: The Inner Life of the Middle Class Blood Rites: Origins and History of the Passions of War --This text refers to an out of print or unavailable edition of this title. From Publishers Weekly A wild bestseller in the field of poverty writing, Ehrenreich's 2001 exposé of working-class hardship, Nickel and Dimed, sold over a million copies in hardcover and paper. If even half that number of people buy this follow-up, which purports "to do for America's ailing middle class what [Nickel and Dimed] did for the working poor," it too will shoot up the bestseller lists. But PW suspects that many of those buyers will be disappointed. Ehrenreich can't deliver the promised story because she never managed to get employed in the "midlevel corporate world" she wanted to analyze. Instead, the book mixes detailed descriptions of her job search with indignant asides about the "relentlessly cheerful" attitude favored by white-collar managers. The tone throughout is classic Ehrenreich: passionate, sarcastic, self-righteous and funny. Everywhere she goes she plots a revolution. A swift read, the book does contain many trenchant observations about the parasitic "transition industry," which aims to separate the recently fired from their few remaining dollars. And her chapter on faith-based networking is revelatory and disturbing. But Ehrenreich's central story fails to generate much sympathy—is it really so terrible that a dabbling journalist can't fake her way into an industry where she has no previous experience?—and the profiles of her fellow searchers are too insubstantial to fill the gap. Ehrenreich rightly points out how corporate culture's focus on "the power of the individual will" deters its employees from organizing against the market trends that are disenfranchising them, but her presentation of such arguments would have been a lot more convincing if she could have spent some time in a cubicle herself. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews

好的,这是一份关于一本虚构图书的详细介绍,该书名为《无光之海的歌谣》,内容与您提到的《Bait and Switch》完全无关。 --- 《无光之海的歌谣》:深渊的低语与失落的文明 概览 《无光之海的歌谣》是一部史诗般的奇幻长篇小说,由知名作家艾略特·范德比尔特(Eliot Vanderbilt)倾力打造。本书将读者带入一个被永恒黑暗与冰冷海水所统治的异世界——阿卡迪亚(Arcadia)。这是一个曾经辉煌,如今却沉浸在末日余晖中的世界。故事的核心围绕着一个被遗忘的文明的最后继承者,以及他们为阻止深渊中苏醒的古老恐怖而进行的一场绝望的航行。 本书以其精细入微的世界构建、复杂的人物群像以及对存在主义哲学的深刻探讨而著称。范德比尔特没有采用传统的高奇幻叙事模式,而是将故事的基调设定在一种克制而又令人窒息的“海洋哥特式”氛围之中,强调了人类在面对宏大、不可名状的力量时的渺小与韧性。 世界观设定:阿卡迪亚——永恒的深渊 阿卡迪亚并非我们所知的那种充满阳光和陆地的世界。在万年前的“大坍塌”事件之后,地表大部分被淹没,幸存者们退守到被称为“浮岛群”(The Archipelago)的火山岩和人工建造的巨大平台之上。然而,真正的世界在水下。 1. 永夜与压力 阿卡迪亚的海洋,被称为“虚空之洋”(The Void Ocean),其深度远远超出了人类的理解。阳光无法穿透第一千英尺,因此,绝大部分水域处于绝对的黑暗之中。这种黑暗不仅是光线的缺失,更是一种物理和精神上的重压。水下的生物,无论是植物还是动物,都进化出了令人不安的生物发光能力,将深海描绘成一个由幽灵般的蓝、绿、紫光点构成的迷幻迷宫。 2. 沉没的遗迹与“歌者”文明 故事的背景设定在“潮汐历”的第472年。在深海的淤泥之下,隐藏着前一个纪元——“歌者”(The Chanters)文明的遗迹。歌者是一个掌握了声波和海洋能量的种族,他们的城市并非由石头建成,而是由固化的声波和晶体结构构成。这些城市在“大坍塌”中一同沉没,但它们残留的知识与技术,却被深海中的某些实体所“吸收”或“扭曲”。 3. 漂浮的城邦与科技的断层 人类幸存者生活在浮岛群上的几个主要城邦中,其中最重要的是“新亚特兰蒂斯”(Neo-Atlantis,一个建立在巨大机械浮板上的都市)和“深港”(Deepport,一个围绕着古代钻井平台建立起来的贸易中心)。这些社会虽然拥有蒸汽动力和基础的声呐技术,但他们对“歌者”文明的知识几乎一无所知,视其为神话。他们的社会结构等级森严,资源(尤其是能抵御深海腐蚀的稀有金属)的分配引发了持续的冲突。 核心情节:回声的召唤 故事的主角是卡利班·沃斯(Caliban Voss),一位在新亚特兰蒂斯声誉不佳的历史学家兼“深潜员”。卡利班的职业是驾驶特制的、使用低频声波推进的单人潜水器,负责回收沉船上的残骸或研究浅层水域的生物。 卡利班的人生在一次例行的深海勘测中被彻底颠覆。他偶然间捕获到了一段异常清晰、复杂到近乎智慧的声波——一段来自“歌者”文明核心区域的“回声”。这段回声并非随机的噪音,而是一个明确的、重复的坐标信息,指向了深海中最危险的区域:“寂静之眼”(The Eye of Silence)。 1. 揭示的真相 卡利班很快发现,这段回声并非来自已逝的文明,而是某种被困在深海中、正在试图“重建”某种通讯网络的实体发出的信号。这种实体被称为“低语者”(The Whisperers),它们是“大坍塌”后,海洋深处对“歌者”遗留能量的聚合体,本质上是一种基于声波共振的集体意识。 2. 远征的开始 卡利班坚信,这段回声是阻止“低语者”苏醒并最终吞噬浮岛世界的唯一线索。他召集了一群背景各异的伙伴: 赛琳娜·里德(Serena Reed):一位被放逐的前新亚特兰蒂斯皇家海军声纳专家,她对声波武器的理论研究有着深刻的见解,同时也背负着家族在“大坍塌”中的秘密。 “铸铁”布罗根(Brogan 'Iron-Cast'):一位来自深港的经验丰富但愤世嫉俗的机械师,负责维护他们那艘老旧但经过大幅度改装的深潜船——“信标号”(The Beacon)。 他们的旅程充满了危险:他们必须躲避新亚特兰蒂斯对深海探索的严格管制,对抗因深海压力和黑暗引发的“水下狂躁症”,以及面对那些已经彻底适应深海环境、并被“低语者”的能量所影响的变异生物。 3. 哲学的困境与牺牲 随着他们深入黑暗,卡利班开始理解“歌者”文明的真正命运:他们并非被自然灾害毁灭,而是因为过度追求声波的完美共振,无意中打开了通往维度间“非物质噪音”的通道,最终导致了整个文明的自我消解。 “低语者”的最终目标,是利用卡利班带回的声波坐标,在全球范围内建立起一个足以撕裂现实的“共振场”。卡利班和他的船员必须决定,是选择完全摧毁所有“歌者”的遗迹,以确保世界的安全,还是冒着巨大风险去学习和控制这种力量,以期在未来的黑暗中为人类找到新的生存之道。 小说的高潮发生在“寂静之眼”的深处,那里不再是纯粹的海洋,而是一个由巨大、失真的晶体声波结构构成的“图书馆”。卡利班必须做出一个几乎不可能的选择:接受黑暗的低语,还是用人类意志的微弱之光,来抗衡永恒的虚空。 主题探讨 《无光之海的歌谣》深入探讨了以下几个核心主题: 知识的悖论: 知识是力量,但对超凡力量的无节制探求,是否必然通向毁灭? 光与黑暗的相对性: 在一个完全没有阳光的世界里,什么才算是“光明”?是微弱的人类理性,还是深海中那些诱人的、但危险的生物光芒? 存在的重量: 当个体面对一个跨越万年的、不可抗拒的宏大历史进程时,个体的自由意志和选择的意义何在? 文学风格 范德比尔特采用了细腻的心理描写和富有诗意的散文笔触,来平衡深海探险的紧张刺激。书中对潜水器的内部环境、水下压力对人体的物理影响、以及深海声学现象的描写极其详尽,极大地增强了小说的沉浸感和真实感。本书的语言冷峻、精确,但又不失对人类情感的细腻捕捉。 《无光之海的歌谣》是一部关于人类面对未知、关于文明的衰亡与潜在的新生,以及在绝对黑暗中寻找微小希望的,令人难以忘怀的史诗。 ---

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这本书简直是精神食粮,读起来让人欲罢不能。作者的叙事功力实在是高超,每一个场景都描绘得栩栩如生,仿佛我就是故事中的一员,亲身经历了那些跌宕起伏的情节。尤其是对于人物内心世界的刻画,细腻入微,能让人深深地体会到角色的挣扎、喜悦与痛苦。这本书探讨的主题非常深刻,涉及了人性的复杂性、社会制度的弊端以及个体在洪流中的选择与抗争。每一次阅读都有新的感悟,它不仅仅是一个故事,更像是一面镜子,映照出我们自身和我们所处的时代。情节的推进张弛有度,高潮迭起,却又不失逻辑性,每一个转折都让人拍案叫绝。我特别喜欢作者在细节处理上的匠心,那些看似不经意的描写,往往是解开后续谜团的关键线索,让整个阅读体验充满了探索的乐趣。读完之后,那种回味悠长的感觉,久久不能散去,强烈推荐给所有追求深度阅读体验的读者。

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从文学技法的角度来看,这本书简直是一本教科书级别的范例。作者对语言的掌控力达到了炉火纯青的地步,他能用最朴素的词汇描绘出最复杂的意境,也能用极具张力的排比句将情绪推向沸点。节奏的把控堪称完美,该快则快,如疾风骤雨,让人喘不过气;该慢则慢,如细水长流,让情感得以充分酝酿和沉淀。书中有一段关于角色内心独白的描写,我足足读了三遍才勉强理解其背后蕴含的巨大悲剧性,文字的密度和信息量实在惊人。这本书的好处在于,它既能满足主流读者对精彩故事的需求,又能让文学鉴赏者从中找到值得分析和研究的语言技巧与结构创新。它成功地平衡了艺术性和可读性,是一部真正意义上的佳作,它值得被更多人阅读和讨论,因为它所达成的成就,在当代文学中是相当罕见的。

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这本书带给我的冲击是巨大的,它彻底颠覆了我对传统叙事套路的认知。作者非常擅长设置“局”,一个又一个精心编织的迷局,让人在以为自己快要猜中真相时,又被一个突如其来的反转狠狠地打回原点。这种智力上的博弈过程,让人大呼过瘾。更难得的是,尽管情节复杂烧脑,但作者始终没有牺牲故事的情感核心。那些关于友情、背叛、救赎的主题,被包裹在严密的逻辑外壳下,反而显得更加真挚动人。我尤其欣赏作者对于环境氛围的营造能力,那种压抑、诡谲或者豁然开朗的感觉,是通过环境描写和心理活动精准结合来实现的,感官体验极佳。我常常需要停下来,放下书本,整理一下自己的思绪,消化刚刚读到的震撼信息。这本书的后劲很大,读完后感觉整个世界观都被稍微修正了一下,绝对是近年来我读过的最令人难忘的作品之一。

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我通常不太喜欢篇幅过长的小说,但这本书的体量却让我心甘情愿地“沉沦”其中。它的魅力在于其宏大的世界观构建,不仅仅是简单的背景设定,而是一个自洽的、逻辑自洽的复杂系统。作者在描绘这个世界时,展现出了近乎建筑师般的精确度,每一个设定、每一个规则都有其存在的理由,并且相互之间有着千丝万缕的联系。这种严谨性极大地增强了故事的说服力,即使是再天马行空的想象,也让人信服。此外,书中对某些哲学命题的探讨,虽然没有直接给出答案,但通过人物的命运轨迹和选择,引发了读者长久的思考:我们追求的自由究竟是什么?人性的边界又在哪里?这本书不仅仅是消磨时间的作品,它更像是一场深入灵魂的对话,促使人去审视自己存在的意义。对于那些寻求深度思考和沉浸式阅读体验的读者,强烈推荐尝试一下。

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说实话,我一开始是被这本书的书名吸引的,但没想到内容质量远远超出了我的预期。这本书的结构非常巧妙,采用了多线叙事的手法,不同时间线和视角之间的切换流畅自然,没有丝毫的生硬感。这种叙事方式极大地丰富了故事的层次感,让读者可以从多个维度去理解事件的真相和人物动机。语言风格非常独特,时而如同古典文学般典雅凝练,时而又充满了现代都市的犀利与幽默,这种强烈的反差反而形成了一种独特的阅读节奏,让人越陷越深。书中对某个特定历史时期的社会风貌描摹得极其考究,看得出作者在资料搜集上下了大量的功夫,历史的厚重感扑面而来。它不是那种快餐式的娱乐读物,需要你投入时间和精力去细细品味那些埋藏在文字背后的深意。对于喜欢历史悬疑或者社会派推理的读者来说,这本书无疑是一座宝藏,值得反复翻阅,每次都能挖掘出新的细节。

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