Birth
Like nearly all aspects of Cesare Borgia's life, the date of his birth is a subject of dispute. However, it is accepted that he was born in Rome in 1475 or 1476 to Cardinal Rodrigo de Lanzol y Borja, soon to become Pope Alexander VI, and his mistress Vannozza de' Cattanei, of whom documents are sparse. The Borgia family originally came from Spain and rose in the mid 15th century, when Cesare's great uncle Alonso Borgia (1378-1458), bishop of Valencia, was elected Pope Callixtus III in 1455. [1] Cesare's father, Pope Alexander VI was the first pope who openly recognized the children he had with his lover Vanozza de' Cattanei.
Stefano Infessura writes that Cardinal Borgia falsely claimed Cesare to be the legitimate son of another man, the nominal husband of Vannozza de' Cattanei. More likely Pope Sixtus IV granted Cesare a release from the necessity of proving his birth in a papal bull.
[edit] Early life
With brown eyes and orange hair, Cesare was acknowledged a beautiful child and grew to be a fleet-footed, tall, handsome man of unlimited ambition, much like his father. Cesare was initially groomed for a career in the church. He was made Bishop of Pamplona at the age of 15. Following school in Perugia and Pisa where Cesare studied law, and his father's elevation to Pope, Cesare was made Cardinal at the age of 18. [2] Alexander VI staked the hopes for the Borgia family on Cesare's brother Giovanni, who was made captain general of the military forces of the papacy. Giovanni was assassinated in 1497 in mysterious circumstances: several contemporaries suggested Cesare being his killer[3], as Giovanni's disappearing could finally open him the long-awaited military career; also jealousy over Sancha of Aragon, wife of Cesare's other brother Jofré, and mistress of both Cesare and Giovanni[4]. Cesare's role in the act, however, has never been clear.
On August 17, 1498, Cesare became the first person in history to resign the cardinalate. On the same day the French King Louis XII named Cesare Duke of Valentinois, and this title along with his former position as Cardinal of Valencia explains the nickname "Valentino".
[edit] Military career
Cesare's career was founded upon his father's ability to distribute patronage, and through his alliance with France (reinforced by his marriage with Charlotte d'Albret, sister of John III of Navarre) in the course of the Italian Wars. Louis XII invaded Italy in 1499: after Gian Giacomo Trivulzio had ousted its duke Ludovico Sforza, Cesare accompanied the king in his entrance in Milan.
At this point Alexander decided to profit from the favourable situation and carve out for Cesare a state of his own in northern Italy. To this end, he declared deposed all his vicars in Romagna and Marche. Though in theory subject directly to the pope, these rulers had been practically independent or dependent on other states for generations.
Cesare was appointed commander of the papal armies with a number of Italian mercenaries, supported by 300 cavalry and 4,000 Swiss infantry sent by the King of France. His first victim was Caterina Sforza (mother of the Medici condottiero Giovanni dalle Bande Nere), ruler of Imola and Forlì. Deprived of his French troops after the conquest of those two cities, Borgia returned anyway to Rome to celebrate a triumph and to receive the title of Papal Gonfaloniere from his father. In 1500 the creation of twelve new cardinals granted Alexander enough money for Cesare to hire the condottieri Vitellozzo Vitelli, Gian Paolo Baglioni, Giulio and Paolo Orsini and Oliverotto da Fermo, who resumed his campaign in Romagna.
Giovanni Sforza, first husband of Cesare's sister Lucrezia, was soon ousted from Pesaro; Pandolfo Malatesta lost Rimini; Faenza surrendered, its young lord Astorre III Manfredi being later drowned in the Tiber river by Cesare's order. In May 1501 the latter was created duke of Romagna. Hired by Florence, Cesare subsequently added the lordship of Piombino to his new lands.
While his condottieri took over the siege of Piombino (which ended in 1502), Cesare commanded the French troops in the sieges of Naples and Capua, defended by Prospero and Fabrizio Colonna. On June 24, 1501 his troops stormed the latter, causing the fall of the Aragonese power in southern Italy.
In June 1502 he set out for the Marche, where he was able to capture Urbino and Camerino by treason. The next step would be Bologna, but his condottieri, fearing Cesare's cruelty, set up a plot against him. Guidobaldo da Montefeltro and Giovanni Maria da Varano returned in Urbino and Camerino and Fossombrone revolted. Cesare called for a reconciliation, but treacherously imprisoned his condottieri in Senigallia, a feat described as a "Wonderful deceiving" by Paolo Giovio[5], and had them executed.
[edit] Last years
Though an immensely capable general and statesman, Cesare could do nothing without continued papal patronage. The news of his father's death (1503) arrived when Cesare, though gravely ill, was planning the conquest of Tuscany. While he was convalescent in Castel Sant'Angelo, his troops controlled the conclave. The new pope, Pius III, supported him, but his reign was short: the accession of the Borgias' deadly enemy Julius II caused his sudden ruin.
While moving to Romagna to quench a revolt, he was seized and imprisoned by Gian Paolo Baglioni near Perugia. All his lands were acquired by the Papal States. Exiled to Spain, in 1504, he was imprisoned in the Castle of La Mota, Medina del Campo, from where he escaped and joined his brother-in-law, King John III of Navarre. In his service, Cesare died at the siege of Viana in 1507, at the age of thirty-one.
[edit] Evaluation
Cesare Borgia was greatly admired by Niccolò Machiavelli, who met the Duke on a diplomatic mission in his function as Secretary of the Florentine Chancellery. Machiavelli was at Borgia's court from October 7, 1502 through January 18, 1503. During this time he wrote regular dispatches to his superiors in Florence, many of which have survived and are published in Machiavelli's Collected Works. Machiavelli used many of Borgia's exploits and tactics as examples in The Prince and advised politicians to imitate Borgia. Two episodes were particularly impressive to Machiavelli: the method by which Borgia pacified the Romagna, which Machiavelli describes in chapter VII of The Prince, and Borgia's assassination of his captains on New Year's Eve of 1503 in Senigallia. [6]
Machiavelli's praise for Borgia is subject to controversy. Some scholars see in Machiavelli's Borgia the precursor of state crimes in the 20th Century.[7] Others, including Macaulay and Lord Acton have historicized Machiavelli's Borgia, explaining the admiration for such violence as an effect of the general criminality and corruption of the time.[8]
In Volume One of Celebrated Crimes, Alexandre Dumas, père states that some pictures of Jesus Christ produced around Borgia's lifetime were based on Cesare Borgia, and that this in turn has influenced images of Jesus produced since that time.
Cesare Borgia briefly employed Leonardo da Vinci as military architect and engineer between 1502 and 1503. Cesare and Leonardo become intimate instantaneously - Cesare provided Leonardo with a unlimited pass to inspect and direct all planned and undergoing construction in his domain. Before meeting Cesare, Leonardo had worked at the Milanese court of Ludovico Sforza for many years, until Charles VIII of France drove Sforza out of Italy. After Cesare, Leonardo was unsuccessful in finding another patron and eventually moved to France, where he died.
He wanted to take over Mantua while Isabella d'Este was ruling.
[edit] Marriage and children
On May 10, 1499, Cesare married Charlotte d'Albret (1480 - March 11, 1514). She was a sister of John III of Navarre. They were parents to a daughter, Louise Borgia, (1500 - 1553) who first married first Louis II de La Tremouille, Governor of Burgundy, and secondly Philippe de Bourbon, Seigneur de Busset.
Cesare was also father to at least eleven illegitimate children, among them Girolamo Borgia, who married Isabella Contessa di Carpi, and Lucrezia Borgia, who, after Cesare's death, was moved to Ferrara to the court of her aunt, Lucrezia Borgia.
Rafael Sabatini was born in Jesi, Italy to an English mother and Italian father. His parents were opera singers who became teachers.
At a young age, Rafael was exposed to many languages, living with his grandfather in England, attending school in Portugal and, as a teenager, in Switzerland. By the time he was seventeen, when he returned to England to live permanently, he was the master of five languages. He quickly added a sixth language — English — to his linguistic collection. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English."
After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. It took Sabatini roughly a quarter of a century of hard work before he attained success with Scaramouche in 1921. This brilliant novel of the French Revolution became an international best-seller. It was followed by the equally successful Captain Blood in 1922. All of his earlier books were rushed into reprints, the most popular of which was The Sea Hawk from 1915. Sabatini was a prolific writer; he produced a new book approximately every year. While he perhaps didn't achieve the mammoth success of Scaramouche and Captain Blood, nonetheless Sabatini still maintained a great deal of popularity with the reading public through the decades that followed. The public knew that in picking up a Sabatini book, they could always count upon a good read, and his following was loyal and extensive.
By the 1940s, illness forced the writer to slow his prolific method of composition. However, he did write several additional works even during that time. He died February 13, 1950 in Switzerland. He is buried at Adelboden, Switzerland. On his head stone his wife had written, "He was born with a gift of laughter and a sense that the world was mad," the first line of his best-known work, Scaramouche.
He is best known for his world-wide bestsellers:
* The Sea Hawk (1915), a tale of the Spanish Armada and the pirates of the Barbary Coast;
* Scaramouche (1921), a tale of the French Revolution in which a fugitive hides out in a commedia dell'arte troupe;
* Captain Blood (1922), in which the title character is admiral of a fleet of pirate ships (Sabatini also wrote two sequels); and
* Bellarion the Fortunate (1926), about a cunning young man who finds himself immersed in the politics of fifteenth-century Italy.
The first three of these books have been made into notable films in the sound era -- in 1940, 1952, and 1935, respectively. However, the silent films of his novels, less well known, are also notable. His second novel was made into a famous "lost" film, Bardelys the Magnificent, directed in 1926 by King Vidor with John Gilbert in the lead, and long viewable only in a fragment excerpted in Vidor's silent comedy Show People. A few intact reels have recently been discovered in Europe. Two silent adaptations of Sabatini novels which do survive intact are Rex Ingram's Scaramouche (1923) starring Ramon Novarro, and The Sea Hawk (1924) directed by Frank Lloyd and starring Milton Sills. This is actually a more faithful adaptation than the 1940 remake with Errol Flynn. A 1924 silent version of Captain Blood, starring J. Warren Kerrigan, is partly lost, surviving only in an incomplete copy in the Library of Congress.
In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play.
评分
评分
评分
评分
《切萨雷·博尔吉亚的一生》这本书,彻底颠覆了我之前对这位历史人物的刻板印象。作者以一种极为详实和深入的方式,为我揭示了切萨雷·博尔吉亚的真实面貌。我惊叹于他作为一位军事家和政治家的卓越才能,也为他身上那种近乎冷酷的理性所折服。书中对当时意大利各个城邦之间的关系、教皇的政治影响,以及切萨雷如何巧妙地在这些势力之间周旋,都进行了极为细致的描写。这本书让我看到,历史人物的评价往往是复杂而多面的,切萨雷·博尔吉亚无疑是一个值得深入探究的典型。
评分我必须说,《切萨雷·博尔吉亚的一生》是一本让我沉浸其中的佳作。这本书不仅仅是关于一个人的传记,更是对那个时代政治、权力、野心以及人性复杂性的深刻剖析。我被书中对切萨雷·博尔吉亚的描绘所深深吸引,他是一个如此矛盾的人物:既有卓越的政治和军事才能,又有着令人胆寒的冷酷和残忍。作者通过详实的史料,为我展现了一个鲜活的切萨雷,他的成长环境、他的抱负、他的盟友与敌人,以及他最终的命运。这本书让我对意大利文艺复兴时期的历史有了更深刻的理解,也让我对权力与人性的关系产生了更多的思考。
评分阅读《切萨雷·博尔吉亚的一生》,我仿佛置身于一场宏大的历史叙事之中。作者对切萨雷·博尔吉亚的刻画是多维度的,他不仅展现了这位历史人物在政治和军事上的辉煌成就,更深入挖掘了他内心的挣扎和动机。我被书中对当时意大利政治格局的细致描绘所吸引,那些错综复杂的权力关系和利益纠葛,为切萨雷的行动提供了生动的背景。这本书让我对这位充满传奇色彩的人物有了更全面、更深入的认识,也让我对那个充满动荡与变革的时代有了更深刻的理解。
评分对于《切萨雷·博尔吉亚的一生》这本书,我只能说,它简直是一次令人着迷的穿越,将我带回了那个充满权力斗争、阴谋诡计和个人野心的意大利文艺复兴时期。读这本书的时候,我常常觉得自己仿佛置身于博尔吉亚家族的宫殿之中,亲眼目睹切萨雷这位极富争议性的人物如何一步步走向巅峰,又如何戏剧性地跌落。作者对历史细节的考究令人惊叹,从当时意大利城邦的政治格局,到各个家族之间的错综复杂的关系,再到切萨雷个人的成长经历和性格塑造,都被描绘得淋漓尽致。我尤其被书中对于切萨雷政治手腕的刻画所吸引,他如何巧妙地利用家族资源,如何果断地清除异己,如何在混乱的局势中为自己谋取一席之地,这些都让我对这位历史人物的智慧和冷酷有了更深刻的认识。
评分阅读《切萨雷·博尔吉亚的一生》,我仿佛经历了一场跌宕起伏的戏剧。作者笔下的切萨雷·博尔吉亚,不再是刻板印象中那个纯粹的恶棍,而是一个有着复杂内心世界的个体。我能够感受到他为了实现野心所付出的巨大努力,以及他在政治博弈中展现出的非凡才能。书中对当时意大利错综复杂的政治局势的梳理也非常清晰,让我得以理解切萨雷的每一次行动都是在怎样的时代背景下发生的。那些关于教皇亚历山大六世的权谋、与法国国王的联盟、以及与各个意大利城邦之间的明争暗斗,都让我看得津津有味。这本书不仅是一段人物传记,更是一幅生动的意大利文艺复兴时期的社会风情画卷,让我对那个时代有了更全面的认识。
评分《切萨雷·博尔吉亚的一生》这本书,让我对历史人物的解读方式有了新的认识。切萨雷·博尔吉亚,一个被誉为“文艺复兴时代的恶魔”的男人,在这本书中却展现出了令人难以置信的复杂性。作者并没有简单地将他定性为反派,而是通过细致的史料梳理,展现了他作为政治家、军事家以及一个野心勃勃的男人的多面性。我被书中对他如何利用家族势力,如何施展政治手腕,以及如何在混乱的局势中为自己赢得一席之地的过程所吸引。这本书不仅是一段人物传记,更是一部关于权力、野心和人性的深刻探讨。
评分这是一本让我爱不释手的书。通过《切萨雷·博尔吉亚的一生》,我得以深入了解这位在意大利文艺复兴时期留下浓墨重彩一笔的人物。作者以严谨的史料考证和生动的叙事,为我展现了一个充满魅力又令人畏惧的切萨雷。我被书中描绘的那个时代意大利错综复杂的政治格局所吸引,也为切萨雷如何在这种环境下纵横捭阖、实现自己的政治抱负而感到震撼。这本书让我看到了一个在权力巅峰与黑暗边缘游走的灵魂,以及他为了达到目的所付出的巨大代价。
评分《切萨雷·博尔吉亚的一生》这本书带给我的阅读体验是前所未有的。我一直对那些能够深刻影响历史进程的人物感到好奇,而切萨雷·博尔吉亚无疑是其中最引人注目的一位。作者以其丰富的史料和严谨的笔触,将这位充满争议的领袖栩栩如生地展现在我眼前。我被书中对切萨雷军事才能的描写所折服,他如何领导军队,如何在战场上取得胜利,以及他对士兵的激励和统治方式,都让我印象深刻。同时,我也看到了他身上那种不达目的不罢休的决心和冷酷无情的一面。这本书让我深入了解了切萨雷·博尔吉亚的成长轨迹,以及他如何在那个风云变幻的时代中,试图建立一个属于自己的王国。
评分读完《切萨雷·博尔吉亚的一生》,我深感震撼。这本书不仅让我认识了切萨雷·博尔吉亚这位传奇人物,更让我对意大利文艺复兴时期的历史有了更深刻的理解。作者以其细腻的笔触,描绘了切萨雷在权力斗争中的智慧与残酷,以及他在建立自己王国过程中的种种挑战。我被书中对当时欧洲政治格局的梳理所吸引,也为切萨雷如何利用各种机会,如何施展他的政治手腕而感到惊叹。这本书让我看到了一个野心勃勃的男人,如何在那个时代书写属于自己的传奇,又如何最终走向命运的转折。
评分《切萨雷·博尔吉亚的一生》这本书,是一次关于历史、权力和人性的深刻探索。我沉浸在作者对切萨雷·博尔吉亚的描绘中,他既是才华横溢的军事家,又是冷酷无情的政治家。我惊叹于他如何运用家族的权势,如何在意大利的土地上建立起自己的势力,以及他对权力的渴望和追求。书中对当时意大利复杂的政治局势的描绘,为理解切萨雷的每一次决策提供了重要的背景。这本书让我看到了一个充满野心、智慧和矛盾的个体,以及他如何在历史的长河中留下了深刻的印记。
评分写得很考究的史学书,然而作者的个人主观倾向太明显有没有,对Cesare各种洗白有没有
评分写得很考究的史学书,然而作者的个人主观倾向太明显有没有,对Cesare各种洗白有没有
评分写得很考究的史学书,然而作者的个人主观倾向太明显有没有,对Cesare各种洗白有没有
评分写得很考究的史学书,然而作者的个人主观倾向太明显有没有,对Cesare各种洗白有没有
评分写得很考究的史学书,然而作者的个人主观倾向太明显有没有,对Cesare各种洗白有没有
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有