An Artistic Exile pdf epub mobi txt 电子书 下载 2025
- 丰子恺
- 列文森中国研究书籍奖
- 艺术史
- 新文化史
- 藝術史
- 海外中国研究
- 文學/文化批評
- 宗教
- 艺术．流亡．创作．身份．孤独．表达．异乡．自由．文化．反思
具体描述
This engrossing book, a brilliant blend of biography and criticism, tells the story of Feng Zikai (1898-1975), one of the most gifted and important artists to emerge from the politically tumultuous decades of the 1920s and 1930s. Barmé provides a closely woven parallel history, that of the life of writer-artist Feng, who was also an essayist and a translator, and that of China's turbulent twentieth century. He investigates Feng Zikai's aesthetic vision, its development, and how it relates to traditional and contemporary Chinese cultural values and debates.
Although Feng was known for his so-called casual drawings, he was reluctant to classify his art. According to Barmé, much of his writing and painting was rooted in a philosophy of self-expression. Difficult to position in relation to existing Chinese political and social nomenclature, Feng remains, to a large extent, an enigma. He was sympathetic to the average person and the impoverished peasant, yet he was a romantic, and often identified with the increasingly politicized intelligentsia. A devout Buddhist, he was a close observer of nature and children, and while his art appeared gentle, it often carried a strong message.
Much has been written about Feng Zikai, a figure who has become popular among elite and mass audiences in the Chinese world once more, but no other work has examined his place among May Fourth writers and intellectuals nor his position within the context of China's artistic, religious, and literary tradition. An Artistic Exile moves straight to the heart of debates surrounding modernization, religion, science, the essence of a tradition in an age of colonial modernity, and the ethos of political and social thought in twentieth-century China.
作者简介
Geremie R. Barmé is a Professor at the Research School of Pacific and Asian Studies, Institute of Advanced Studies, at the Australian National University. He is the editor of East Asian History and is author of In the Red (1999), Shades of Mao: The Posthumous Cult of the Great Leader (1996), and coeditor of New Ghosts, Old Dreams: Chinese Rebel Voices (1992). He was also an associate director and writer for the film The Gate of Heavenly Peace (Boston 1995), and is codirecting with Carma Hinton and Richard Gordon Morning Sun, a documentary film on the Chinese Cultural Revolution.
目录信息
读后感
家住夕阳江上村，一湾流水绕柴门。种来松树高于屋，借与春禽养子孙。这首诗来自叶唐夫，它曾被丰子恺引用在《护生画集》上。这首诗表达的意境，想必和丰子恺幼时的家乡石门镇有些相似。特别是那句一弯流水绕柴门，画面感特别的强烈。 以往我对丰子恺的了解，多数来自书本上，...
评分读书，一不留神就读出了人生。从前读过的丰子恺的种种，终究是浅薄了。在《艺术的逃难：丰子恺传》之前，只是心安理得地享受丰老先生贡献的甘美，浑然不知那些曼妙清幽的因果根底。若非澳大利亚学者白杰明的扎实研究，丰子恺一生的欢欣与无奈也就这么隐在了他的作品之后...
评分读书，一不留神就读出了人生。从前读过的丰子恺的种种，终究是浅薄了。在《艺术的逃难：丰子恺传》之前，只是心安理得地享受丰老先生贡献的甘美，浑然不知那些曼妙清幽的因果根底。若非澳大利亚学者白杰明的扎实研究，丰子恺一生的欢欣与无奈也就这么隐在了他的作品之后...
评分“公开批判之后，各界名流为了表达对”胡风反革命集团“的强烈愤慨，纷纷发表署名文章，对胡风进行更加深入的批判： 《肃清阴险的反革命分子》——作者：丰子恺（画家，书法家，翻译家）” 选自《文革前后》http://weibo.com/p/1001603945597919989569
评分——评《艺术的逃难》 文/蓦烟如雪 在《艺术的逃难》中，丰家的亲人让丰子恺不要再画画，他无视家人的反对说，“‘文革’中我承认我的画都是毒草，然而世间有一种人视毒草为香花，什袭珍藏。对此种人，我还是乐意给他们珍藏。”那些年他是‘异类’，但在如今他在世人眼里却...
用户评价
对一个人的研究做到非常细致入微。而且能够很同情之理解地去看待丰子恺作为"the third category"。
评分Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.
评分Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.
评分Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.
评分Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.
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