An Artistic Exile

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Geremie R. Barmé is a Professor at the Research School of Pacific and Asian Studies, Institute of Advanced Studies, at the Australian National University. He is the editor of East Asian History and is author of In the Red (1999), Shades of Mao: The Posthumous Cult of the Great Leader (1996), and coeditor of New Ghosts, Old Dreams: Chinese Rebel Voices (1992). He was also an associate director and writer for the film The Gate of Heavenly Peace (Boston 1995), and is codirecting with Carma Hinton and Richard Gordon Morning Sun, a documentary film on the Chinese Cultural Revolution.

出版者:University of California Press
作者:Geremie Randall Barmé
出品人:
页数:558
译者:
出版时间:2002-11-4
价格:USD 85.00
装帧:Hardcover
isbn号码:9780520208322
丛书系列:
图书标签:
  • 丰子恺 
  • 列文森中国研究书籍奖 
  • 艺术史 
  • 新文化史 
  • 藝術史 
  • 海外中国研究 
  • 文學/文化批評 
  • 宗教 
  •  
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This engrossing book, a brilliant blend of biography and criticism, tells the story of Feng Zikai (1898-1975), one of the most gifted and important artists to emerge from the politically tumultuous decades of the 1920s and 1930s. Barmé provides a closely woven parallel history, that of the life of writer-artist Feng, who was also an essayist and a translator, and that of China's turbulent twentieth century. He investigates Feng Zikai's aesthetic vision, its development, and how it relates to traditional and contemporary Chinese cultural values and debates.

Although Feng was known for his so-called casual drawings, he was reluctant to classify his art. According to Barmé, much of his writing and painting was rooted in a philosophy of self-expression. Difficult to position in relation to existing Chinese political and social nomenclature, Feng remains, to a large extent, an enigma. He was sympathetic to the average person and the impoverished peasant, yet he was a romantic, and often identified with the increasingly politicized intelligentsia. A devout Buddhist, he was a close observer of nature and children, and while his art appeared gentle, it often carried a strong message.

Much has been written about Feng Zikai, a figure who has become popular among elite and mass audiences in the Chinese world once more, but no other work has examined his place among May Fourth writers and intellectuals nor his position within the context of China's artistic, religious, and literary tradition. An Artistic Exile moves straight to the heart of debates surrounding modernization, religion, science, the essence of a tradition in an age of colonial modernity, and the ethos of political and social thought in twentieth-century China.

具体描述

读后感

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提到丰子恺,我们的第一印象可能是关于他的诗意风格漫画,还有他的师父李叔同(弘一法师),以及他跟随弘一法师出家等等比较惹人眼球的“事迹”,在图书馆偶遇《逃难的艺术:丰子恺传》,也希望可以借此对丰子恺有一点浅薄的了解。 丰子恺一生也算是历尽坎坷,最终没能等到文革...  

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——评《艺术的逃难》 文/蓦烟如雪 在《艺术的逃难》中,丰家的亲人让丰子恺不要再画画,他无视家人的反对说,“‘文革’中我承认我的画都是毒草,然而世间有一种人视毒草为香花,什袭珍藏。对此种人,我还是乐意给他们珍藏。”那些年他是‘异类’,但在如今他在世人眼里却...  

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首先关注丰子恺老先生,最早还是翻看他的《认识建筑》,其中关于埃及法老建立金字塔的描述,老先生讲“坟的艺术”,印象尤其深刻。为什么死后要入土为安?老先生给的答案用了一个比喻:虫冬入土而春又复生,“入土”-“复活”的转换,无疑是一种原始而强烈的愿望。 到后来看老...  

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提到丰子恺,我们的第一印象可能是关于他的诗意风格漫画,还有他的师父李叔同(弘一法师),以及他跟随弘一法师出家等等比较惹人眼球的“事迹”,在图书馆偶遇《逃难的艺术:丰子恺传》,也希望可以借此对丰子恺有一点浅薄的了解。 丰子恺一生也算是历尽坎坷,最终没能等到文革...  

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书评 + 摘录 + 音频 = 读书报告 注释:全部观点仅代表个人阅读随感!谢谢! [丰子恺] 书评:这本书主要讲述的是丰子恺老先生如何成为一个中国一百多年来真正雅俗共赏的国民艺术家,把丰老的生平事迹和内心世界相结合,与此同时,作者还大量结合中外资料进行引述论证,给传记本...  

用户评价

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对一个人的研究做到非常细致入微。而且能够很同情之理解地去看待丰子恺作为"the third category"。

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杯水车薪

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对一个人的研究做到非常细致入微。而且能够很同情之理解地去看待丰子恺作为"the third category"。

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Meticulously researched and engagingly written, Barme's work is a model of empathetic biography that allows us to "feel" the subject. An important example and symbol of non-political artistic and literary engagement with the changing historical landscape, Feng Zikai deserved this study.

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杯水车薪

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