100 of the World's Most Exceptional Young Product DesignersSelected by 10 Design Critics,Including Tom Dixon"Designers have a responsibility to show the future as they want it tobe--or at least as it can be--not just the way an industry wants it tobe..."-Yves B+har, designer Five years after the success of the groundbreaking SPOON (2002), whichfeatured a steel-covered spoon shaped book cover, Phaidon announces thepublication of a follow up collection.AND FORK is a comprehensive globaloverview of new industrial design today.This generously illustratedvolume presents 100 of the most exceptional product designers that haverecently emerged on the international scene, selected by 10 of the world'stop design critics including Chieko Yoshiie of Casa Brutus in Japan,Francesca Picchi of Domus, Tom Dixon from Habitat UK and Sang-kyu Kim, aKorea-based design curator. AND FORK features 1,000 color illustrations of hundreds of innovativeproducts created by the most forward-thinking young designers workingtoday.A wide range of objects (including chairs, lighting, footwear,kitchen accessories and electronics) provide an up-to-date snapshot of thenewest developments in the design world.The book will be an indispensablereference for students, designers, architects and the general publicinterested in learning about contemporary design in everyday life.With the expertise of a highly knowledgeable group of design stars, ANDFORK is set on the same table as Spoon.The 100 designers selected comefrom an impressive 24 countries including Brazil, Japan, Finland, UK,Denmark, Israel, Australia, South Korea and USA. Recent trends in designare revealed, such as a new generation of designers more concerned withsocial responsibility and the ethics of design, new product design thatcaters to our increasing dependence on portable and personal technology,and a rise in collaboration between young designers.Some highlights from AND FORK include: *D-Bros: The Japan-based design group is best known for their charmingHope Forever Blossoming Vase. It's a simple flat plastic bag, but when youpour water into it, it expands to take on both the look and behavior of aglass flower vase.*Piet Hein Eek: Much of the Dutch designer's furniture is made fromreclaimed scrap wood. He is an example of many of the young designersfeatured in AND FORK that are using environmentally-friendly or recycledmaterials and innovative manufacturing techniques. Eek says, "I like usingmaterials that are worthless and acting as though they are precious."*Jennifer Carpenter: The New York-based designer has made her mostdistinctive mark on children's products, designing an infant bed thateasily converts into toddler furniture. She has said, "Let's face it, babyproducts are not the sexiest arena, some designers would rather be workingon the next iPod...but the breast pump is what really needs the help."*Simon Heijdens: Heijdens is fascinated with the way things evolveover time which inspired the Broken White project (2004). He designed a setof ceramic bowls and plates that are immaculate and white when new, but asthey are used, delicate cracks appear in the glazing and with time slowlyspread to form a decoration. In result, the most used, favorite items standout portraying the intimate relationship between user and object. Arranged in alphabetical order, AND FORK displays each designer on fourpages that include photographs, technical drawings and text written by thecurators on why the designer's work has been chosen and details on futuredesign plans.Each curator has also chosen one piece of design, such asthe Radio Ts2 or the Schwinn Stingray bicycle, for the 'Good Design'chapter of the book. These are classics that have made a significant impacton the design world, and still influence young designers today. The pages of AND FORK illustrate superlative cutting-edge work fromdesigners whose products often display subversive manufacturing techniques,exciting displays of materials or refreshing twists
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读完之后,脑海中萦绕的不是某个具体的情节,而是一种挥之不去的氛围,一种对现代生活疏离感的深刻反思。作者的笔触带着一种近乎冷峻的观察力,她似乎能穿透日常的表象,直达事物本质的荒谬与美丽。语言风格上,这书的风格非常独特,用词的选择充满了文学性,但又没有陷入故作高深的陷阱,读起来既有挑战性,又充满了惊喜。比如,她对某些日常对话的描绘,寥寥数语,却精准地勾勒出了人与人之间那些微妙的权力关系和未说出口的隔阂。我尤其欣赏作者处理时间线的方式,那种看似不经意的跳跃和回溯,非但没有打乱叙事,反而像拼图一样,将人物复杂的过往和当下的困境巧妙地串联起来,最终揭示出一个令人唏嘘的真相。这本书的后劲很足,初读时可能觉得有些晦涩,但沉淀下来后,那些隐喻和象征的意义才会慢慢浮现,确实值得反复咀嚼。
评分我通常对文学性过强的作品抱持谨慎态度,生怕陷入矫揉造作的泥潭,但这一部完全打消了我的顾虑。它的力量在于其内在的坚韧和不妥协。故事的结构设计得非常精巧,环环相扣,但又保持着一种松弛感,不让人感到被强行推动。作者对细节的关注达到了痴迷的程度,比如对某种特定气味、光线的捕捉,这些看似微不足道的元素,却共同编织了一个极其真实可信的感官世界。更让我欣赏的是,它没有急于给出一个明确的道德评判,而是将选择权和判断权交给了读者。书中的许多角色都游走在边缘,他们的动机复杂,他们的行为充满矛盾,这正是这部作品的魅力所在——它拒绝简单化。每一次阅读都会有新的发现,就像在一部老电影里,偶然间注意到角落里那个此前被忽略的道具,突然间所有的场景都亮堂了起来。
评分这本小说,我真是爱不释手,完全沉浸在了作者构建的那个世界里。它不仅仅是关于一连串事件的罗列,更像是一次深入人心的心灵旅程。主角的挣扎与成长,那种细致入微的心理刻画,简直让人感同身受。记得有那么几个章节,描述他面对重大抉择时的内心挣扎,文字的张力十足,我甚至能想象出他紧锁的眉头和不安的眼神。作者对环境氛围的营造也极其到位,无论是那种压抑的都市丛林感,还是偶尔出现的宁静田园景象,都通过精准的词汇选择,跃然纸上,仿佛我正站在那个场景之中,呼吸着那里的空气。最让我赞叹的是,它没有用那种老套的、一蹴而就的英雄主义叙事,反而展现了一种更真实、更复杂的“人”性,那些灰色地带的处理,非常耐人寻味,让人在合上书页后,还会忍不住思考很久。这本书的节奏把握得也极好,时而紧张得让人心跳加速,时而又慢下来,给你时间去消化那些深刻的哲思。
评分这部作品的文字本身就是一种享受,带着一种古典的韵律感,但叙事的手法却异常现代和前卫。它成功地模糊了现实与虚构的界限,让我时常在阅读过程中停下来,质疑刚刚读到的场景是否是主角的幻想,或者仅仅是作者为了某种叙事效果而设置的陷阱。这种不确定性,正是它吸引我的地方。它要求读者全身心地投入,进行积极的解读,而不是被动地接受信息。我特别喜欢作者对叙事视角的切换,那种从全知视角突然跌入某个角色第一人称内心独白的瞬间,冲击力极强,让人瞬间感受到了那种局限带来的痛苦和清醒。总而言之,这是一部需要耐心去品味的佳作,它挑战了传统的小说范式,提供了一种更复杂、更令人满足的阅读体验。
评分坦白说,这本书的阅读体验是一种缓慢的、渗透式的体验,它不会用爆炸性的情节来强迫你翻页,而是用一种近乎催眠的节奏,将你温柔而坚定地拉入它的世界。我必须提到作者对‘沉默’的运用,那比任何激烈的争吵都更有力量。那些停顿、那些没有说出口的话语,在文本中留下的空白,反而被读者自己的情绪和想象力填满,形成了一种独特的共创体验。它探讨的主题宏大而普世,关于身份的迷失、关于记忆的不可靠性,但作者的处理方式却异常细腻和个人化,仿佛是在一本私密的日记中偷窥到了宇宙的规律。我很少读到一部作品,能够如此优雅地平衡宏大叙事与微观情感,它既有史诗般的质感,又不失一颗跳动着的、柔软的心脏。
评分没看完就要还了然后就要毕业了不能从全世界的图书馆调书了
评分50Eur 买的..值得一看
评分欧洲产品横竖都还是家居类。。
评分没看完就要还了然后就要毕业了不能从全世界的图书馆调书了
评分欧洲产品横竖都还是家居类。。
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