The distinctive iconography of Saul Leiter's earliest black-and-white photographs stems from his profound response to street life in 1940s and 50s New York City. While Leiter's technique borrowed from the immediacy of photo-documentary work, his imagery was generated by subjective and highly individual reactions to the people and places he encountered. The mystery of the city propelled his art, and poignant moments of human experience filled it: Leiter was a Magic Realist with a camera. He tended to work in series, and Saul Leiter: Early Black and White contains 100 remarkable photographs grouped under 10 thematic headings, ranging from the radically innovative to moving urban nostalgia.
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好的照片:我暂时还拍不了的照片。
评分interior很多照片让我感受到了艺术的美,人物的面部表情让你感受到当时那刻。但是exterior就不是很喜欢了。
评分@衡山和集
评分interior很多照片让我感受到了艺术的美,人物的面部表情让你感受到当时那刻。但是exterior就不是很喜欢了。
评分只要那个人下笔写了,一个悍匪,也是那个人的悍匪。他文弱,悍匪就有文弱气,他火爆,悍匪就强硬性急。正是这样,无论室内外,片子都流淌出安静悠远。
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