This book, the first comprehensive study in English of Heidegger’s philosophy of art, starts in the mid-1930s with Heidegger’s discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational ‘truth’, and that, by this criterion, art in modernity is ‘dead’. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of Rilke, Cézanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger’s philosophy of art and shows that his famous essay ‘The Origin of the Work of Art’ is its beginning, not its end.
評分
評分
評分
評分
無與倫比的清晰,完全可以視作海氏全部哲學的導論
评分無與倫比的清晰,完全可以視作海氏全部哲學的導論
评分無與倫比的清晰,完全可以視作海氏全部哲學的導論
评分無與倫比的清晰,完全可以視作海氏全部哲學的導論
评分無與倫比的清晰,完全可以視作海氏全部哲學的導論
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有