Kim Stanley Robinson's Mars trilogy is one of science fiction's most honored series, with Red Mars winning the distinguished Nebula Award, and both Green Mars and Blue Mars honored with the Hugo. A modern-day classic of the genre, this epic saga deftly portrays the human stories behind Earth's most ambitious project yet: the terraforming of Mars.
Now, following the publication of his acclaimed adventure novel, Antarctica, Robinson returns to the realm he has made his own, in a work that brilliantly weaves together a futuristic setting with a poetic vision of the human spirit engaged in a drama as ancient as mankind itself.
From a training mission in Antarctica to blistering sandstorms sweeping through labyrinths of barren canyons, the interwoven stories of The Martians set in motion a sprawling cast of characters upon the surface of Mars. As the planet is transformed from an unexplored and forbidding terrain to a troubled image of a re-created Earth, we meet men and women who are bound together by their experiences on Mars and with each other.
Among them are Michel, a French psychologist dazzled by the beauty around him; Maya, a woman whose ill-fated love affairs lead to her first voyage to Mars; and Roger, a tall Martian-born guide who lacks social skills but has the courage to survive on the planet's dangerous yet strangely compelling surface.
Beginning with the First Hundred explorers, generations of friends, enemies, and lovers are swept up in the drama that is Earth's tenuous toehold on Mars. International exploration turns into world building; world building degenerates into political conflict, revolution, and war.
Following the strands of these lives and events, in an age when human life has been extended for decades, The Martians becomes the story of generations lived on the edge of the ultimate frontier, in a landscape of constant man-made and natural transformation.
This new masterpiece by Kim Stanley Robinson is a story of hope and disappointment, of fierce physical and psychological struggles. Both deeply human and scientifically cutting edge, The Martians is the epic chronicle of a planet that represents one of humanity's most glorious possibilities.
A Letter from Kim Stanley Robinson:
"When I finished Blue Mars, I realized I wasn't done with Mars yet. There were things I still wanted to say about the place, and about my characters from the trilogy, and there were a number of sidebar stories and characters that had found no place in the trilogy's structure. I also had a couple of precursor Mars stories that did not fit the trilogy's history--'Exploring Fossil Canyon' and 'Green Mars'--and I had held these out of my earlier story collections thinking they belonged with the Mars group."
So all this material was there, and as I wrote Antarctica, I found myself drawn back into the matter of Mars repeatedly, by the discovery of possible life in meteorite AHL8004 and by the Pathfinder landing. I decided to make a collection of Martian tales, and as I put them in roughly chronological order, I saw that they seemed to be adding up to their own larger story, functioning as the trilogy's 'unconscious' or 'secret history'. Using all kinds of modes, from folk tales to scientific articles, from personal accounts to the full text of a constitution, I arranged things so that the book altogether tells the story of an underground and hard-to-see resistance to the terraforming described in the trilogy proper. I had a great time doing these stories, and hope they add up to my own version of a Martian Chronicles."
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这部作品的结构设计堪称鬼斧神工,它采用了多线叙事,穿插了不同时间点、不同地域角色的视角,这些看似零散的碎片,却在最后汇合成一幅宏大且令人心碎的全景图。我尤其欣赏作者对“声音”和“寂静”的运用,在描绘火星入侵的初期,那种来自地外文明的、无法理解的频率和通讯方式,被描述得既神秘又充满威胁,成功地制造了一种听觉上的恐怖感。而当人类社会开始瓦解时,那种人声的喧嚣最终被无边的死寂所取代,这种对比手法极其高明。这本书对军事部署和后勤保障的细节描写达到了近乎痴迷的程度,这让故事的真实感倍增,仿佛你正在阅读一份被泄露的战时报告。然而,所有的细节最终都指向一个核心主题:面对绝对的力量差距时,人类精神的韧性究竟能支撑多久?它没有提供廉价的希望,却提供了一种更深刻的、关于传承和记忆的思考。这是一部沉重、深刻、且极具文学野心的杰作,不容错过。
评分我花了整整一个星期才从这本书带来的精神冲击中缓过来,这绝对不是那种读完就忘的爆米花小说。作者构建的世界观极其严密,逻辑链条几乎找不到任何可以被攻击的漏洞,这种扎实的基础使得那些超乎想象的情节发展也变得顺理成章,令人信服。特别是关于“他们”的战争策略分析,简直就像军事学教科书一样,冰冷、高效,充满了令人毛骨悚然的理性光辉。我花了大量时间去研究书中描绘的那些复杂的机械结构和生物工程概念,虽然有些部分需要查阅背景资料才能完全理解,但这恰恰证明了作者在世界观构建上的深度和野心。更让我印象深刻的是,作者通过一些次要角色的命运,侧面反映了社会在巨大灾难面前的道德滑坡和人性扭曲,那些小人物在洪流中的挣扎,比宏大的战争场面更令人心痛。这本书的语言风格偏向于一种古典的、富有张力的散文体,使得即便是描述最残酷的场景,也带有一种奇异的美感,读起来需要全神贯注,但绝对是物超所值的精神体验。
评分我必须承认,这本书的开篇有点慢热,初读时可能会觉得信息量过大,各种术语和背景介绍让人有些喘不过气来。但是,一旦你熬过了前三分之一的铺垫,后面爆发出的叙事张力和想象力的广阔,绝对会让你目瞪口呆。作者对时间流逝的感知处理得非常巧妙,有时候感觉过了一万年,有时候又觉得危机近在眼前,这种对时间维度的操纵,直接服务于烘托外星威胁的不可抗拒性。我个人认为,这本书最震撼人心的部分,是它探讨了“同化”与“抵抗”之间的灰色地带。它没有将任何一方简单地塑造成纯粹的恶魔或英雄,而是展示了在极端压力下,生存本身的复杂伦理困境。阅读过程中,我好几次需要停下来,不是因为情节太刺激,而是因为作者的某些观点过于犀利,直击现代社会在面对全球性危机时的集体无能。这本书的文学价值远高于一般的娱乐性科幻作品,它迫使你思考,如果真有比我们先进数百万年的文明降临,我们引以为傲的一切是否真有价值。
评分这部史诗般的作品简直是科幻文学的里程碑,它以一种近乎冷峻的精确度描绘了人类面对未知文明时的那种深层恐惧与好奇心。作者的笔触细腻得令人难以置信,对于火星文明的构建,那种宏大的尺度感和细微的社会结构分析交织在一起,让人仿佛真的踏上了那片红色荒原,感受着异星大气的稀薄和那沉默的、令人不安的智慧生命体带来的压迫感。我尤其欣赏作者在处理“接触”那一刻的心理描写,它超越了简单的冲突,深入探讨了文化、哲学乃至物种生存意义的根本性差异。书中对地球文明内部反应的刻画也十分精彩,从最初的傲慢与轻视,到后期的绝望与挣扎,展现了人性的多面性。叙事节奏把握得炉火纯青,时而如平静的湖面,波澜不惊地铺陈细节,时而又瞬间爆发,将读者抛入万劫不复的境地。读完合上书本后,那种久久不能散去的震撼感,让我对我们所处的宇宙地位产生了深刻的反思。它不仅仅是一部科幻小说,更是一部关于人类自我认知的哲学寓言,值得反复咀嚼和品味。
评分说实话,这本书最妙的地方在于它的“留白”。它没有试图用冗长晦涩的语言去解释一切,而是非常信任读者的理解能力,将许多关键的转折点和动机留给读者自己去脑补和推断。这种叙事手法,使得每一次重读都会有新的发现,仿佛在挖掘一个深埋的宝藏。我特别喜欢书中对人类防御体系崩溃那一阶段的描绘,那种从盲目乐观到集体歇斯底里的转变,简直是教科书级别的心理侧写。它没有过度渲染血腥,而是通过环境的异化和人际关系的疏远来展现末日的真实面貌。另外,作者在科学理论上的借鉴和引用,虽然没有直接点明出处,但那种潜藏的物理学和生物学基础,让整个故事的骨架异常坚固。很少有作品能将宏大的星际冲突与个体命运的悲剧性结合得如此完美,读完后留下的不是胜利的喜悦,而是一种深刻的、关于存在意义的追问。这本书,无疑是科幻文学界的一次大胆而成功的实验。
评分这本书算是火星三部曲的花絮,或者说是番外篇可能更确切。无论如何必需要先看过三部曲再说。有几篇还是挺好看的,也许是作者曾经想要加到三部曲中去的情节。而且因为省掉了背景故事的设定,所以可以更加天马行空。但是总觉得这样跟火星的关系似乎不大,很多故事可以直接把背景放到地球上,但是那样一来就只能算是很普通的故事了。
评分这本书算是火星三部曲的花絮,或者说是番外篇可能更确切。无论如何必需要先看过三部曲再说。有几篇还是挺好看的,也许是作者曾经想要加到三部曲中去的情节。而且因为省掉了背景故事的设定,所以可以更加天马行空。但是总觉得这样跟火星的关系似乎不大,很多故事可以直接把背景放到地球上,但是那样一来就只能算是很普通的故事了。
评分这本书算是火星三部曲的花絮,或者说是番外篇可能更确切。无论如何必需要先看过三部曲再说。有几篇还是挺好看的,也许是作者曾经想要加到三部曲中去的情节。而且因为省掉了背景故事的设定,所以可以更加天马行空。但是总觉得这样跟火星的关系似乎不大,很多故事可以直接把背景放到地球上,但是那样一来就只能算是很普通的故事了。
评分这本书算是火星三部曲的花絮,或者说是番外篇可能更确切。无论如何必需要先看过三部曲再说。有几篇还是挺好看的,也许是作者曾经想要加到三部曲中去的情节。而且因为省掉了背景故事的设定,所以可以更加天马行空。但是总觉得这样跟火星的关系似乎不大,很多故事可以直接把背景放到地球上,但是那样一来就只能算是很普通的故事了。
评分这本书算是火星三部曲的花絮,或者说是番外篇可能更确切。无论如何必需要先看过三部曲再说。有几篇还是挺好看的,也许是作者曾经想要加到三部曲中去的情节。而且因为省掉了背景故事的设定,所以可以更加天马行空。但是总觉得这样跟火星的关系似乎不大,很多故事可以直接把背景放到地球上,但是那样一来就只能算是很普通的故事了。
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