Steven Spielberg is responsible for some of the most successful films ever made: Jaws, Close Encounters of the Third Kind, E.T. and the 'Indiana Jones' series. Yet for many years most critics condescendingly regarded Spielberg as a child-man incapable of dealing maturely with the complexities of life. The deeper levels of meaning in his films were largely ignored. This changed with Schindler's List , his masterpiece about a gentile businessman who saves eleven hundred Jews from the Holocaust. For Spielberg, the film was the culmination of a long struggle with his Jewish identity - an identity of which he had long been ashamed, but now triumphantly embraced. Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. In his astute and perceptive biography, Joseph McBride reconciled Spielberg's seeming contradictions and produced a coherent portrait of the man who found a way to transmute the anxieties of his own childhood into some of the most emotionally powerful and viscerally exciting films ever made. In the second edition, McBride added four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to 2010, a period in which he balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director: Amistad , Saving Private Ryan , A. I. Artificial Intelligence , Minority Report , The Terminal and Munich -- films which expanded his range both stylistically and in terms of adventurous, often controversial, subject matter. This third edition brings Spielberg's career up to date with material on two recent films he directed, The Adventures of Tintin and War Horse, analyzing what they represent in terms of Spielberg's overall career development as an artist making both lighter and darker works alternately involving fantasy or history. The new sections also deal with the recent upheavals in Spielberg's position as a minimogul, his uneven but prolific work as a producer, and his upcoming projects. The original edition of Steven Spielberg: A Biography was praised by the New York Times Book Review as 'an exemplary portrait' written with 'impressive detail and sensitivity'; Time called it 'easily the finest and fairest of the unauthorized biographies of the director.' Of the second edition, Nigel Morris - author of The Cinema of Steven Spielberg: Empire of Light - wrote: 'With this tour de force, McBride remains the godfather of Spielberg studies.'
Joseph McBride is an American film historian, biographer, screenwriter, and professor in the Cinema Department at San Francisco State University. McBride has published eighteen books since 1968, including acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg. His most recent work is The Broken Places: A Memoir (2015), which deals with his childhood abuse in Catholic schools and an alcoholic family, his breakdown as a teenager, and his triumphant recovery; the book tells the story of his relationship with a troubled young Native American woman who helped teach him to live but could not survive herself. Before that, McBride published Into the Nightmare: My Search for the Killers of President John F. Kennedy and Officer J. D. Tippit (2013); both epic and intimately personal, that book is the result of McBride's thirty-one-year investigation of the case. It contains many fresh revelations from McBride's rare interviews with people in Dallas, archival discoveries, and what novelist Thomas Flanagan, in The New York Review of Books, called McBride's "wide knowledge of American social history."
McBride's Writing in Pictures: Screenwriting Made (Mostly) Painless (2012) draws from his long experience as a screenwriter and as a teacher of screenwriting. Also in 2012, McBride published an updated third edition of his 1997 book Steven Spielberg: A Biography. The American second edition of the Spielberg book was published in 2011 by the University Press of Mississippi, which also reprinted his biographies Frank Capra: The Catastrophe of Success (1992; 2000) and Searching for John Ford (2001). McBride's other books include: Orson Welles (1972; 1996), Hawks on Hawks (1982), The Book of Movie Lists: An Offbeat, Provocative Collection of the Best and Worst of Everything in Movies (1999), and What Ever Happened to Orson Welles?: A Portrait of an Independent Career (2006). He wrote the 1974 critical study John Ford with Michael Wilmington.
McBride's screenwriting credits include the movies Rock 'n' Roll High School and Blood and Guts and five American Film Institute Life Achievement Award specials on CBS-TV dealing with Fred Astaire, Frank Capra, Lillian Gish, John Huston, and James Stewart. He also was cowriter of the United States Information Agency worldwide live TV special Let Poland Be Poland (1982). McBride plays a film critic, Mister Pister, in the legendary unfinished Orson Welles feature The Other Side of the Wind (1970-76). McBride is also the coproducer of the documentaries Obsessed with "Vertigo": New Life for Hitchcock's Masterpiece (1997) and John Ford Goes to War (2002).
McBride received the Writers Guild of America Award for cowriting The American Film Institute Salute to John Huston (1983). He has also received four other WGA nominations two Emmy nominations, and a Canadian Film Awards nomination. The French edition of Searching for John Ford, A la Recherche de John Ford, published in 2007, was chosen the Best Foreign Film Book of the Year by the French film critics' association, le Syndicat Français de la Critique de Cinéma.
Born in Milwaukee, Wisconsin, McBride grew up in the suburb of Wauwatosa. He attended Marquette University High School in Milwaukee, where he received a National Merit Scholarship, and the University of Wisconsin, Madison, and worked as a reporter for The Wisconsin State Journal in Madison before departing for California in 1973. A documentary feature on McBride's life and work, Behind the Curtain: Joseph McBride on Writing Film History, written and directed by Hart Perez, had its world debut in 2011 at the Tiburon International Film Festival in Tiburon, Marin County, CA, and was released on DVD in 2012.
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这本书散发出的最独特的气息,是一种对“工业”本身的敬畏。它不仅仅是在讲述一个人的成功史,更是在描绘好莱坞制片体系如何从早期的混乱无序,逐步演变成一套精密运转、既能榨取最大商业价值又能孵化出令人惊叹的艺术品的庞大机器。作者的笔触中流露出对那种“制片厂制度”下,创意如何与资本、工会、市场需求进行永恒博弈的深刻洞察。书中对几次关键性的罢工事件、对电影分级制度的形成过程的描述,都展现了艺术表达的自由是如何在商业洪流中艰难争取和维护的。读完这些关于制度和结构的内容,我忽然明白了,那些被我们视为“理所当然”的电影流程,每一步都凝聚了无数前人的抗争和妥协。这本书成功地将个人的传奇故事,放置在了宏大的产业变迁背景之下,使得每一次作品的诞生,都显得更加来之不易和意义深远,它让我们看到,创造奇迹的背后,是无尽的制度构建和妥协艺术。
评分这本书最令人耳目一新的是它对“合作”这一主题的深入探讨,它完全颠覆了我过去那种“孤胆英雄”式的传统理解。作者花费了大量笔墨去细致描绘与摄影指导、剪辑师、作曲家乃至道具师之间的化学反应。他没有将这些配角边缘化,而是将他们提升到了与核心创作者同等重要的地位,通过大量的访谈摘录和内部备忘录的引用,构建了一个生动的“创意生态系统”。我尤其喜欢其中一个章节,专门分析了某部标志性作品中,声音设计师是如何通过对环境音效的微妙处理,彻底改变了观众对某一场景氛围的感知,那种对声音美学的深入剖析,细腻到让我回想起当年观看影片时,那种不由自主地被代入的体验。这种多角度的叙事,使得整本书的层次感非常丰富,不再是单一的个人英雄主义颂歌,而是一部关于集体智慧如何共塑文化现象的深刻论述。它让我意识到,伟大的艺术品往往不是某一个天才的独舞,而是无数专业人士心血汇聚的结晶。
评分如果说有什么让我感到略微“难以消化”的,那可能就是其中对于早期电影制作技术的参数化描述了。这本书显然是为资深影迷或者业内人士准备的,它毫不避讳地深入到了胶片化学、光圈设置、镜头畸变等非常硬核的技术细节中。有一部分章节,几乎等同于一份技术手册,详细讲解了某一特定时期新型摄影机的机械原理及其对叙事潜力的拓展。我承认,这些信息对于理解创作者的技术视野至关重要,但对于一个仅仅想了解故事和人物的普通读者来说,阅读起来需要更高的专注度和一定的专业背景知识储备。我不得不反复查阅脚注,以理解那些缩写和专业术语的含义。尽管如此,我还是能感受到作者试图将技术与艺术完美融合的努力,他力求精确地还原出,在当时的物质条件下,艺术家是如何用这些工具去“雕刻”光影的。这部分内容虽然阅读门槛高,但其详尽程度也确立了这本书在资料研究上的权威地位。
评分读完这本厚厚的文献,我最大的感受是,作者对叙事节奏的把控达到了一个近乎苛刻的精准度。它不是那种流水账式的传记,而是精心编织的情节剧。开篇并不急于展示那些辉煌的成就,而是花费了大量的篇幅去描绘早期生活环境对个体塑造的潜移默化影响,那种对细节的捕捉,比如童年时期的某次家庭旅行如何无意中激发了对远景和运动镜头的迷恋,都被描绘得丝丝入扣。进入到职业生涯的叙述部分,作者的笔法陡然变得凌厉起来,面对那些经典的拍摄现场冲突和决策背后的权衡利弊,他没有采取简单的赞美或批判,而是用一种近乎客观的临床式冷静,剖析了每一次艺术选择背后的商业考量和技术限制。尤其是在描述那些革命性的技术突破时,那种从概念提出、到实验失败,再到最终实现的过程,被描述得如同史诗般的战斗,充满了张力,让人不得不佩服作者在梳理复杂时间线和人物关系网时的深厚功力。整本书读下来,就像是参与了一场宏大的幕后揭秘,情感的起伏跌宕,但逻辑始终清晰可见,绝无拖泥带水之感。
评分这本书的装帧设计简直是一场视觉盛宴,那种厚重感和纸张的质感,拿在手里就仿佛触摸到了历史的脉搏。封面那张略带泛黄的剧照,光影处理得极其微妙,让人立刻联想到那个黄金时代的电影布景,透露着一种既怀旧又充满力量的基调。内页的排版也看得出是用心设计的,字体的选择典雅而不失现代感,留白的处理恰到好处,使得阅读体验非常舒适,即便是长时间沉浸其中,眼睛也不会感到疲劳。我特别欣赏作者在章节过渡时使用的那些手绘草图和早期概念设计稿的插图,它们不只是简单的装饰,更像是通往创作者思维深处的秘密通道,那些粗粝的线条和潦草的批注,比任何华丽的文字描述都要生动地展现了创作初期那种原始的冲动和灵感的火花。而且,这本书的装订方式似乎也考虑到了长期保存的需求,坚固的精装结构预示着它注定是一本可以世代流传的收藏品。光是翻阅这些精美的图片和考究的版式,就已经值回票价了,它不仅仅是一本书,更像是一件精心制作的艺术品,摆在书架上也是一件极具品位的陈设。
评分1400. 有些资料,尤其对斯皮尔伯格早期经历的挖掘还是挺新鲜的。YouTube上有个up主做了“斯皮尔伯格补完计划”(Spielberg Completist),挖出来很多斯大叔的早期作品,相当值得一看。另外斯大叔早期电视剧有很多已经可以在线看了,对照这本书给出的资料会看得格外开心。学术价值方面,因为主要还是一本传记,所以里面很多评价和描述还是需要打点折扣看。相当强调斯比尔伯格作为犹太人,以及父母离异给他造成的影响,以及这些经历成为在他作品中复沓出现的主题;对斯皮尔伯格式的电影极其商业模式造成的“低幼化”也有比较客观中肯的分析。
评分1400. 有些资料,尤其对斯皮尔伯格早期经历的挖掘还是挺新鲜的。YouTube上有个up主做了“斯皮尔伯格补完计划”(Spielberg Completist),挖出来很多斯大叔的早期作品,相当值得一看。另外斯大叔早期电视剧有很多已经可以在线看了,对照这本书给出的资料会看得格外开心。学术价值方面,因为主要还是一本传记,所以里面很多评价和描述还是需要打点折扣看。相当强调斯比尔伯格作为犹太人,以及父母离异给他造成的影响,以及这些经历成为在他作品中复沓出现的主题;对斯皮尔伯格式的电影极其商业模式造成的“低幼化”也有比较客观中肯的分析。
评分1400. 有些资料,尤其对斯皮尔伯格早期经历的挖掘还是挺新鲜的。YouTube上有个up主做了“斯皮尔伯格补完计划”(Spielberg Completist),挖出来很多斯大叔的早期作品,相当值得一看。另外斯大叔早期电视剧有很多已经可以在线看了,对照这本书给出的资料会看得格外开心。学术价值方面,因为主要还是一本传记,所以里面很多评价和描述还是需要打点折扣看。相当强调斯比尔伯格作为犹太人,以及父母离异给他造成的影响,以及这些经历成为在他作品中复沓出现的主题;对斯皮尔伯格式的电影极其商业模式造成的“低幼化”也有比较客观中肯的分析。
评分1400. 有些资料,尤其对斯皮尔伯格早期经历的挖掘还是挺新鲜的。YouTube上有个up主做了“斯皮尔伯格补完计划”(Spielberg Completist),挖出来很多斯大叔的早期作品,相当值得一看。另外斯大叔早期电视剧有很多已经可以在线看了,对照这本书给出的资料会看得格外开心。学术价值方面,因为主要还是一本传记,所以里面很多评价和描述还是需要打点折扣看。相当强调斯比尔伯格作为犹太人,以及父母离异给他造成的影响,以及这些经历成为在他作品中复沓出现的主题;对斯皮尔伯格式的电影极其商业模式造成的“低幼化”也有比较客观中肯的分析。
评分1400. 有些资料,尤其对斯皮尔伯格早期经历的挖掘还是挺新鲜的。YouTube上有个up主做了“斯皮尔伯格补完计划”(Spielberg Completist),挖出来很多斯大叔的早期作品,相当值得一看。另外斯大叔早期电视剧有很多已经可以在线看了,对照这本书给出的资料会看得格外开心。学术价值方面,因为主要还是一本传记,所以里面很多评价和描述还是需要打点折扣看。相当强调斯比尔伯格作为犹太人,以及父母离异给他造成的影响,以及这些经历成为在他作品中复沓出现的主题;对斯皮尔伯格式的电影极其商业模式造成的“低幼化”也有比较客观中肯的分析。
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