When Margaret Atwood announced to her friends that she wanted to be a writer, she was only 16 years old. It was Canada. It was the 1950s. No one knew what to think. Nonetheless, Atwood began her writing career as a poet. Published In 1964 while she was still a student at Harvard, her second poetry anthology, The Circle Game, was awarded the Governor General's Award, one of Canada's most esteemed literary prizes. Since then, Atwood has gone on to publish many more volumes of poetry (as well as literary criticism, essays, and short stories), but it is her novels for which she is best known.
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Atwood's first foray into fiction was 1966's The Edible Woman, an arresting story about a woman who stops eating because she feels her life is consuming her. Grabbing the attention of critics, who applauded its startlingly original premise, the novel explored feminist themes Atwood has revisited time and time again during her long, prolific literary career. She is famous for strong, compelling female protagonists -- from the breast cancer survivor in Bodily Harm to the rueful artist in Cat's Eye to the fatefully intertwined sisters in her Booker Prize-winning novel The Blind Asassin.
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Perhaps Atwood's most legendary character is Offred, the tragic "breeder" in what is arguably her most famous book, 1985's The Handmaid's Tale. Part fable, part science fiction, and part dystopian nightmare, this novel presented a harrowing vision of women's lives in an oppressive futuristic society. The Washington Post compared it (favorably) to George Orwell's iconic 1984.
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As if her status as a multi-award-winning, triple-threat writer (fiction, poetry, and essays) were not enough, Atwood has also produced several children's books, including Princess Prunella and the Purple Peanut (1995) and Rude Ramsay and the Roaring Radishes (2003) -- delicious alliterative delights that introduce a wealth of new vocabulary to young readers.
In Homer’s account in The Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan war after the abduction of Helen, Penelope manages, in the face of scandalous rumours, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters and sleeping with goddesses, he kills her suitors and - curiously - twelve of her maids.
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In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged Maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood’s dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the storytelling and poetic talent for which she herself is renowned, she gives Penelope new life and reality - and sets out to provide an answer to an ancient mystery.
虽然读过荷马史诗的人大概并不多,但奥德赛、珀涅罗珀、海伦、帕里斯这些名字却是众所皆知的。一场因争夺世上最漂亮女人而起的战争,在十年后靠着木马计变成一场屠城,胜者凯旋却在归途中被女神滞留,又是十年后终于归家,看到的是还在忠贞等待自己的妻子。 征战、杀人无数、航...
評分内容提要:由审美自主性而开始的审美活动,试图将两个不同时代的文本:荷马《奥德赛》和玛格丽特•阿特伍德《珀涅罗珀记》如同藤蔓一样缠绕在一起,自奥德赛传说的流传、影响起一路娓娓道来,提出其在各个时代不同的变体,如:《埃涅阿斯纪》《神曲》《尤利西斯》《我弥留之...
評分“我已是死人,因而无所不知。”曾获得布克奖的加拿大作家玛格丽特·阿特伍德的新书这样开头。别误会,这并不是又一本阿特伍德式的反乌托邦小说,而是英国坎农格特出版公司(Canongate)发起的“重述神话”出版计划中的一本。他们邀请了包括翁贝托·艾柯、若泽·萨拉马戈、托妮...
評分看完珀涅罗珀记 做了一个关于彩云南边的梦 梦就是没有逻辑的 珀涅罗珀就是Penelope 在数字通信后半节课我用黑色水笔在白色面纸上写下她和奥德修斯的名字 这个温良贤淑的女子 内心深处的暗流 马格丽特告诉你 Penelope 据Merriam Webster's Vocabulary Builder: A modest , dome...
評分看《奧德賽》的憤憤不平在看到本書奧德修斯即使逃到天涯海角也無法擺脫復仇的結局後有所緩解。古代的英雄史詩換一個女性角色視角解讀會異常有趣。感謝我的文學教授Ellen Rentz女士。
评分看《奧德賽》的憤憤不平在看到本書奧德修斯即使逃到天涯海角也無法擺脫復仇的結局後有所緩解。古代的英雄史詩換一個女性角色視角解讀會異常有趣。感謝我的文學教授Ellen Rentz女士。
评分看《奧德賽》的憤憤不平在看到本書奧德修斯即使逃到天涯海角也無法擺脫復仇的結局後有所緩解。古代的英雄史詩換一個女性角色視角解讀會異常有趣。感謝我的文學教授Ellen Rentz女士。
评分對照原文,發現這本書的漢譯本翻譯的不錯。
评分對照原文,發現這本書的漢譯本翻譯的不錯。
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