具體描述
"In the vast literature of love, The Seducer's Diary is an intricate curiosity--a feverishly intellectual attempt to reconstruct an erotic failure as a pedagogic success, a wound masked as a boast," observes John Updike in his foreword to Søren Kierkegaard's narrative. This work, a chapter from Kierkegaard's first major volume, Either/Or, springs from his relationship with his fiancée, Regine Olsen. Kierkegaard fell in love with the young woman, ten years his junior, proposed to her, but then broke off their engagement a year later. This event affected Kierkegaard profoundly. Olsen became a muse for him, and a flood of volumes resulted. His attempt to set right, in writing, what he feels was a mistake in his relationship with Olsen taught him the secret of "indirect communication." The Seducer's Diary, then, becomes Kierkegaard's attempt to portray himself as a scoundrel and thus make their break easier for her.</p>
Matters of marriage, the ethical versus the aesthetic, dread, and, increasingly, the severities of Christianity are pondered by Kierkegaard in this intense work.</p>
著者簡介
索倫•剋爾凱郭爾
（1813—1855）
丹麥哲學傢，存在主義哲學之父。
剋爾凱郭爾在27歲時與少女蕾吉娜訂婚。然而由於自己敏感的性格，他又解除瞭婚約。《誘惑者日記》摺射瞭這段經曆，而這也成為他全部哲學思索的一個支點。
剋爾凱郭爾終生冥想“如何去做一個基督徒”。他認為， 麵對“不可能”，人隻能作齣“絕望的一躍”，直接進入精神生活。
多年之後，晚年的蕾吉娜說：“他把我作為犧牲獻給瞭上帝。”
圖書目錄
讀後感
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評分 評分祁克果，一个富有人情味的名字，能够拉近与读者、或者说与人的距离。他讲的故事尚在人间。 祁克果塑造了一个学究式的人物，出于对爱情、订婚、婚姻的研究，而接近考尔徳利娅。他机关算尽，如愿打开了她关于情欲的潘多拉魔盒。要知道，在精神层面，她原本只有爱情，而他有许多类...
評分 評分绝望的一跃是现实向理想的一跃，是可能变成不可能又不甘放弃的尝试。现实的感情是生理的，理想的感情是身心的。只是现实的占有，或许掩盖不了近在眼前，远在天边的隔阂。男主了解别人，却不了解自己。或许，等待的是戈多，理想的东西原本就不属于现实的存在。所以，绝望的一跃...
用戶評價
2011-08-26
评分2011-08-26
评分“When a girl has given away everything，she is weak，she has lost everything，for in a man innocence is a negative element，but in woman it is the substance of her being.”
评分“When a girl has given away everything，she is weak，she has lost everything，for in a man innocence is a negative element，but in woman it is the substance of her being.”
评分2011-08-26
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