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In the early twenty-first century, China occupies a place on center stage in the international art world. But what does it mean to be a Chinese artist in the modern age? This first comprehensive study of modern Chinese art history traces its evolution chronologically and thematically from the Age of Imperialism to the present day. Julia Andrews and Kuiyi Shen pay particular attention to the dynamic tension between modernity and tradition, as well as the interplay of global cosmopolitanism and cultural nationalism. This lively, accessible, and beautifully illustrated text will serve and enlighten scholars, students, collectors, and anyone with an interest in Asian art and artists.

【Review】

“A superb, illuminating study. . . . The best book available on the history of modern Chinese art. . . . Essential.”

(D.K. Haworth, Emeritus, Carleton College Choice 2013-01-23)

“A superb, illuminating study. . . . The best book available on the history of modern Chinese art. . . . Essential.” Choice Top 25 Academic Titles of 2013.

(D.K. Haworth, Emeritus, Carleton College Choice 2013-01-23)

"An important contribution to the study of modern Chinese art. . . . It should be essential reading for any student embarking on the study [thereof]."

(Michael Sullivan Times Literary Supplement (TLS) 2013-04-12)

【From the Inside Flap】

“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”―De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.

Julia Andrews is Professor of Art History at Ohio State University and is the author of several books, including Painters and Polictics in the Peoples’ Republic of China, 1949–1979.

Kuiyi Shen is Professor in the Visual Arts Department and Director of the Chinese Studies Program at UC San Diego.

Introduction
Chinese art in the Age of Imperialism: the Opium War to the Treaty of Shimonoseki, 1842-1895
Art in the creation of the new nation: The overthrow of the Qing and the Early Republic, 1895-1920
Art in the new culture of the 1920s
Modern art in the 1930s
The Golden Age of Guohua in the 1930s
Art in wartime, 1937-1949
Western-style art under Mao, 1949-1966
Ink painting, Lianhuanhua, an woodcuts under Mao, 1949-1966
Art of the Great Proletarian Cultural Revolution, 1966-1976
Art after Mao, 1976-1989
Alternative Chinas: Hong Kong and Taiwan
No u-turn: Chinese art after 1989
The New Milennium, and the Chinese Century?
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