The massive political, economic, and social changes China has undergone during the past decade have dramatically altered its cultural landscape. The exhibition New Photography from China and its catalogue offer the first comprehensive look at the body of photographic art produced during this period. Often ambitious in scale and experimental in nature, the works featured in New Photography From China encompass a wide range of highly individual responses to these unprecedented transformations.
Essays by co-curators and distinguished scholars Christopher Phillips and Wu Hung examine the recent history and current status of photography in China. Also included are artist interviews conducted by Melissa Chiu, Lisa Corrin, and Stephanie Smith; artists' biographies; and a bibliography. Many of these artists will be introduced to the American public for the first time. This catalogue is a valuable resource for art and cultural historians, students, or anyone interested in contemporary Asian art.
具體描述
讀後感
評分
評分
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用戶評價
SOAS. 前言是編年史。“當代”脫不開身體、自我和曆史這幾個概念。紀實=“人與地”。
评分SOAS. 前言是編年史。“當代”脫不開身體、自我和曆史這幾個概念。紀實=“人與地”。
评分巫鴻的中國攝影小史值得一讀；書中收錄的作品堪稱恐怖圖像大全，韆禧年前後的所謂中國前衛藝術似乎隻在乎一個概念，那就是“恐怖／瘮人”。
评分粗略一覽中國影像藝術史，概括起來是曆史和記憶、人和地點、自我認同和身體。某個時期一些藝術傢迷之相似撲麵而來放飛自我的前衛藝術看的我真真覺得好神奇…
评分Sheng Qi, Rong Rong, Zhang Haier, Song Dong
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