悉德·菲尔德(Syd Field),美国编剧,制片人,最畅销的电影编剧著作作家。他的著作《电影剧本写作基础》自1982年首版以来已被译成16种语言,在世界250多所大学用作教材,《电影剧作者疑难问题解决指南》是续篇,进一步揭示了剧作的奥秘和技巧。他曾在全球许多国家任教,现在是好莱坞电影公司的剧本审稿人以及编剧顾问。
A generation of screenwriters has used Syd Field’s bestselling books to ignite successful careers in film. Now the celebrated producer, lecturer, teacher, and bestselling author has updated his classic guide for a new generation of filmmakers, offering a fresh insider’s perspective on the film industry today. From concept to character, from opening scene to finished script, here are easily understood guidelines to help aspiring screenwriters—from novices to practiced writers—hone their craft. Filled with updated material—including all-new personal anecdotes and insights, guidelines on marketing and collaboration, plus analyses of recent films, from American Beauty to Lord of the Rings — Screenplay presents a step-by-step, comprehensive technique for writing the screenplay that will succeed in Hollywood. Discover:
•Why the first ten pages of your script are crucially important
•How to visually “grab” the reader from page one, word one
•Why structure and character are the essential foundation of your screenplay
•How to adapt a novel, a play, or an article into a screenplay
•Tips on protecting your work—three legal ways to claim ownership of your screenplay
•The essentials of writing great dialogue, creating character, building a story line, overcoming writer’s block, getting an agent, and much more.
With this newly updated edition of his bestselling classic, Syd Field proves yet again why he is revered as the master of the screenplay—and why his celebrated guide has become the industry’s gold standard for successful screenwriting.
剧本写作(1) 写剧本有两种方法: 一:一种是先有了想法,然后按照想法去创造人物。 二:创造一个人物,从人物身上会产生出需求,动作和故事。 了解4个:开端、情节点1、情节点2、结尾。 完成:动作、人物 的相关准备。 便可开始剧本写作。 什么是剧本及其戏剧性结构 剧本:一...
评分 评分 评分菲尔德的这两本书我都快翻烂了,书很薄但特经看,分析剧本结构其实就是电影的骨架。在写剧本的过程中遇到问题我都要再回来翻翻他的书。但是我要说的是其实写作是一个很需要天赋的事情,什么理论都知道了还是可能写不出来,感悟生活、充分的想象力和对写作的热情最重要。这本书...
评分190
评分剧本基本机构讲解比较清楚。
评分我和作者对电影的理解有根本性差别,导致我读得非常痛苦…
评分很多都是老生常谈了(但我仍然做不到
评分非常好莱坞,适合商业电影创作。创造角色的方法写得很具体,也比较中肯。至于是不是每部电影都要有开头中间结尾,两个关键点,就仁者见仁智者见智了。至于说角色究竟是不是一定要主动,而不可以一直被动,也很难说。非常基本,举得例子都是经典好莱坞电影。
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