Although Edward Steichen exhibited some of Saul Leiter's color photographs at The Museum of Modern Art in 1953, for 40 years afterward they remained virtually unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see a comprehensive presentation of images by one of photography's great originals. Leiter moved to New York in 1946 intending to be a painter, but through his friendship with the Abstract Expressionist Richard Pousette-Dart, he quickly recognized the creative potential of photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem de Kooning, Leiter's camera became--like an extension of his arm and mind--an ever-present interpreter of life in the metropolis. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color unequaled by his contemporaries. Leiter's visual language of fragmentation, ambiguity, and contingency is evoked by these 100 subtle, painterly images that stretched the boundaries of photography in the second half of the 20th century.
乍一看,Saul的哪一张单拿出来都稀疏平常。放在豆瓣相册里属于无赞问津的那种。可是翻多了,会有触动,会有审美趣味浮现出来。 也许我们太习惯那种“决定性瞬间”(Karos!)带来的戏剧性,以及高度提炼的动作带来的叙事性; 简而言之,容易懂。依然是街道,依然是摄影师熟稔的城...
評分乍一看,Saul的哪一张单拿出来都稀疏平常。放在豆瓣相册里属于无赞问津的那种。可是翻多了,会有触动,会有审美趣味浮现出来。 也许我们太习惯那种“决定性瞬间”(Karos!)带来的戏剧性,以及高度提炼的动作带来的叙事性; 简而言之,容易懂。依然是街道,依然是摄影师熟稔的城...
評分乍一看,Saul的哪一张单拿出来都稀疏平常。放在豆瓣相册里属于无赞问津的那种。可是翻多了,会有触动,会有审美趣味浮现出来。 也许我们太习惯那种“决定性瞬间”(Karos!)带来的戏剧性,以及高度提炼的动作带来的叙事性; 简而言之,容易懂。依然是街道,依然是摄影师熟稔的城...
評分乍一看,Saul的哪一张单拿出来都稀疏平常。放在豆瓣相册里属于无赞问津的那种。可是翻多了,会有触动,会有审美趣味浮现出来。 也许我们太习惯那种“决定性瞬间”(Karos!)带来的戏剧性,以及高度提炼的动作带来的叙事性; 简而言之,容易懂。依然是街道,依然是摄影师熟稔的城...
評分乍一看,Saul的哪一张单拿出来都稀疏平常。放在豆瓣相册里属于无赞问津的那种。可是翻多了,会有触动,会有审美趣味浮现出来。 也许我们太习惯那种“决定性瞬间”(Karos!)带来的戏剧性,以及高度提炼的动作带来的叙事性; 简而言之,容易懂。依然是街道,依然是摄影师熟稔的城...
30(導師看瞭我的街拍練習後推薦的書,非常非常喜歡)優雅而富有古典感,前景通常作為暗部虛化,主體放在中遠景,構圖簡潔乾淨,膠片的緣故,褪色感很強。已經很久沒有見到這麼有詩意的街拍瞭。
评分@衡山和集 soooooo charming
评分early color
评分一口氣翻瞭三本 兩本黑白(室內和室外) 一本彩色 彩色的這本五星 室內的四星 室外的三星
评分真是很好瞭,說他是色彩魔術師不為過。但和Ernst Hass一比總覺得還是略遜一籌,控製力有餘,品味不足。
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