Drawing extensively upon the poet's unpublished manuscripts - poems, journals, essays, and letters - as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in the poetic climate in recent years.
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弗兰克·奥哈拉（1926--1966）纽约派重要诗人。其诗采用口语及开放的结构，开创了反文雅反高贵的诗风，影响很大。1966年不幸死于车祸。
评分弗兰克·奥哈拉（1926--1966）纽约派重要诗人。其诗采用口语及开放的结构，开创了反文雅反高贵的诗风，影响很大。1966年不幸死于车祸。
评分just the part I need for presentation
评分"How funny you are today New York. Like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left." - Steps. 喜歡New York School 詩人營造那很爵士的畫面感。
评分弗兰克·奥哈拉（1926--1966）纽约派重要诗人。其诗采用口语及开放的结构，开创了反文雅反高贵的诗风，影响很大。1966年不幸死于车祸。
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