François Truffaut (1932-1984), perhaps the most respected member of the New Wave group of French moviemakers, left a legacy of beloved and influential films that include The 400 Blows, Jules and Jim, Stolen Kisses, Day for Night, and The Story of Adele H. Equally fascinating is the very large body of film criticism Truffaut wrote over many years for Cahiers du Cinema and other leading film journals. Wonderfully varied, personal, and informal, these reviews all communicate unabashed love for and an enormous excitement about the movies. The Films in My Life is Truffaut’s own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut’s particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.
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可惜我不是楚弗信徒,前有楚弗後有諾油缸,實在不懂為何這麼吹捧希區柯剋,明明日以作夜裏更多找到瞭八部半的影子。能看到一部Lola montes,知道Max Ophuls就知足瞭,謝謝楚弗。
评分“I never understood the meaning of a film. I am very concrete. I only understand what is on the screen. In my whole life, I have never understood a single symbol.”
评分可惜我不是楚弗信徒,前有楚弗後有諾油缸,實在不懂為何這麼吹捧希區柯剋,明明日以作夜裏更多找到瞭八部半的影子。能看到一部Lola montes,知道Max Ophuls就知足瞭,謝謝楚弗。
评分理論上這是一部特呂弗談電影的書,但實際上,這是一部特呂弗對30-50年代電影的影評總匯。很遺憾裏頭的電影我實在沒看過幾部。
评分“I never understood the meaning of a film. I am very concrete. I only understand what is on the screen. In my whole life, I have never understood a single symbol.”
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