It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.
But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.
It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes . . . and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.
Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy that began with A Game of Thrones. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction.
George R.R. Martin sold his first story in 1971 and has been writing professionally ever since. He has written fantasy, horror, and science fiction, and for his sins spent ten years in Hollywood as a writer/producer, working on Twilight Zone, Beauty and the Beast, and various feature films and television pilots that were never made. In the mid 90s he returned to prose, his first love, and began work on his epic fantasy series A Song of Ice and Fire. He has been in the Seven Kingdoms ever since. Whenever he's allowed to leave, he returns to Santa Fe, New Mexico, where he lives with the lovely Parris, a big white dog called Mischa, and two cats named Augustus and Caligula who think they run the place.
Biography
As a child growing up in New Jersey, George R.R. Martin displayed an early interest in "the writing life" by selling monster stories of his own invention to the children in his Bayonne neighborhood. In high school he became an avid comic book collector and began to write for comic fanzines. He sold his first story to Galaxy in 1970 when he was 21 years old.
Martin received his bachelor's and master's degrees in journalism from Northwestern University. After graduation he served two years in VISTA, then worked as a teacher and chess tournament director in the Midwest, while continuing to craft award-winning short fiction. His first full-length novel, Dying of the Light, was published in 1977. A dark, lyrical sci-fi tone poem set on a doomed world without a sun, the book was nominated for a Hugo Award.
Throughout the 1980s, Martin worked in television, writing for science fiction- and fantasy-themed shows like The Twilight Zone and Beauty and the Beast. At this time he became involved with Wild Cards, a long-running anthology series composed of "mosaic stories" written by multiple authors and set in a shared universe. In addition to editing the series, Martin has contributed stories to the Wild Card books.
In 1996, Martin published A Game of Thrones, the first installment of his magnum opus, the epic fantasy series A Song of Fire and Ice. Set in the Seven Kingdoms, a realm resembling medieval Europe, the internationally bestselling series has provided the ultimate showcase for Martin's formidable world-building and characterization skills.
During the course of his long, prolific career, Martin has accrued every major literary prize for science fiction or fantasy writing, including the Hugo, Nebula, World Fantasy, Bram Stoker, Daedelus, and Locus awards. But what endears him especially to his readers is his extraordinary accessibility. A tireless participant in genre conventions and festivals, he maintains a cordial relationship with his fans through his website and blog. He is also a member of the Science Fiction & Fantasy Writers of America.
蓝礼的幽灵 大家瞧不起蓝礼,我是不奇怪的;觉得蓝礼得了天下未必保得住,我也是不奇怪的。然则如此多人一口咬定即使史坦尼斯没有祭出影子杀,蓝礼也不可能坐上王位,这就真真怪哉了。蓝礼麾下实打实的十万大军在某些人的脑补中就是一阵烟,吹一口就能散了,全书最大的金手指...
评分 评分首先必须一提的是,当年剧还没开播时,冰火贴吧里有我最喜欢的冰火人物的投票,排名依次是:小恶魔,詹姆,囧雪,艾莉亚,布兰…… 所以我的三观和审美并没有问题!! ! 幽默毒舌各种神吐槽,把爱情看得高于一切却被欺骗和背叛,重视骑士精神却被世人误解、背负了一世骂名,以...
评分死者 一 雷加·坦格利安 雷加战斗的高贵,雷加战斗的英勇,雷加战斗的荣誉,雷加死的不明不白——乔拉·莫尔蒙(Rhaegar fought noble,Rhaegar fought valiantly,Rhaegar fought honorable,and Rhaegar died 二 劳勃·拜拉席恩 这么快就忘了你父亲,大块头,黑胡子,特威...
评分读完《乌鸦的盛宴》,我感觉自己仿佛置身于那个风雨飘摇的世界,与那些命运多舛的人物一同呼吸、一同感受。这部作品最吸引我的地方在于其深刻的人物刻画,它没有回避角色的复杂性,而是将他们的优点、缺点、矛盾和挣扎赤裸裸地展现在读者面前。例如,瑟曦·兰尼斯特,一个曾经被权力光环笼罩的王后,在这里,我们看到的更多是一个深陷恐惧、猜忌和绝望的女人。她的每一次决策,无论是出于自保还是复仇,都充满了人性的黑暗面,却又让人无法完全否定她内心的痛苦和对孩子的爱。她对权力的执着,对 enemies 的毫不留情,都源于她对自身脆弱的极度恐惧。她的每一次呼吸,都似乎在与自己内心深处的魔鬼搏斗,而最终,她似乎越来越被吞噬。
评分琼恩·雪诺的故事线在这本书中继续推进,他肩负的责任越来越重,而他自身也逐渐从一个私生子成长为一名真正的领导者。我尤其喜欢那些描绘他在绝境中如何做出艰难选择的场景。他面对着守夜人内部的分裂、野人的威胁,以及来自北境以外更深层次的神秘力量。他的正直和责任感,常常让他陷入两难的境地,但他从未因此退缩。我感受到的不仅仅是政治上的斗争,更是他在道德上的考验。他必须在维护誓言、保护兄弟会和应对不断变化的局势之间找到平衡,而这个过程充满了牺牲和痛苦。他的每一次犹豫,每一次深思熟虑,都让人觉得他是一个有血有肉、有灵魂的角色,而不是一个简单的英雄符号。
评分本书中,对宗教和信仰的探讨也十分引人深思。闪电大王贝勒·唐德利恩的出现,以及他追随的“红色神祇”,都为故事注入了一种神秘而又狂热的元素。我感受到了信仰的力量,以及它如何能够驱使一个人去做出极端的事情。无论是狂热的信徒,还是对此抱有怀疑的人,他们的内心都在经历着一场关于信念的洗礼。这种对宗教的描绘,并非简单的善恶二元对立,而是展现了信仰的复杂性,以及它在混乱时代中的作用。
评分艾莉亚·史塔克,这个原本活泼可爱的北方女孩,在经历了家破人亡之后,她的道路变得异常坎坷。我惊叹于作者如何一步步将她塑造成一个冷酷无情、技艺精湛的刺客。她的每一次旅程,每一次伪装,每一次的生存技能的提升,都让人感受到一种强烈的成长和蜕变。她不再是那个只需要被保护的小女孩,而是那个在黑暗中磨砺自己,等待复仇机会的复仇者。我喜欢她对“名字”的看法,以及她如何利用这些名字来隐藏自己、欺骗敌人。她的内心世界,充满了对逝去亲人的思念,以及对仇恨的燃烧,这使得她的形象更加丰满和令人难以忘怀。
评分在《乌鸦的盛宴》中,多恩的故事线得到了进一步的展开,为整个故事增添了新的维度。我一直对这个充满异域风情、性格彪悍的王国感到好奇,而这次的描写,更是满足了我的期待。尤其是奥蕾莉亚·马泰尔公主,她的出现,为读者展现了多恩女性特有的魅力和智慧。她不再是那个遥远的传说,而是活生生的人物,有着自己的目标和追求。她的言谈举止,她的政治策略,都充满了对权力本身的理解,以及对自身地位的认知。她与瑟曦之间的博弈,更是充满了火药味,让人期待后续的发展。
评分我对书中对政治权谋的细致描绘也感到非常着迷。每一次宴会,每一次密谈,每一次看似不经意的对话,都可能隐藏着深远的政治目的。作者对于权力斗争的描写,并非简单的战争场面,而是通过人物之间的勾心斗角、利益交换、背叛与联盟来展现。我尤其欣赏对“御前会议”的描写,在那里,各种势力明争暗斗,每一个决议都牵动着整个王国的命运。这种描绘,让我对权力运作的本质有了更深刻的认识。
评分提利昂·兰尼斯特依然是我在这部作品中最喜欢的角色之一。尽管他饱受父亲和姐姐的鄙视,尽管他身负残疾,但他凭借着过人的智慧和敏锐的洞察力,总能在最危险的时刻找到出路。他的讽刺和幽默,是他应对残酷现实的一种方式,也是他保护自己内心不被彻底摧毁的盾牌。我特别欣赏他与瓦里斯之间的互动,这两个看似不同的人,却有着相似的命运和对知识的渴望。他们之间的对话,充满了智慧的火花,也揭示了权谋斗争的深层逻辑。提利昂的每一次辩驳,每一次策划,都让我为他的聪明才智而折服。
评分这本书中的地理环境描写也极具特色。无论是荒凉的北境,还是繁华的君临,亦或是遥远的多恩,作者都为它们赋予了独特的生命力。我仿佛能够嗅到北境寒冷的空气,听到君临喧嚣的街道,感受到多恩炽热的阳光。每一个场景的设置,都与人物的命运和故事的进展息息相关。这些细致入微的描写,让整个世界变得更加真实可信,也让读者更加沉浸其中。
评分总而言之,《乌鸦的盛宴》是一部充满深度和广度的作品。它不仅仅是一个关于战争和权力的故事,更是一个关于人性、信仰、命运和成长的史诗。我被书中错综复杂的情节、饱满的人物形象以及深刻的思想内涵所深深吸引。每一次阅读,我都能发现新的细节,感受到新的冲击。它迫使我思考,它挑战我的认知,它让我对“善”与“恶”、“忠诚”与“背叛”、“希望”与“绝望”有了更复杂的理解。这部作品无疑是整个系列中不可或缺的一部分,它的存在,让整个史诗更加完整和震撼。
评分“铁种”的回归,为故事带来了全新的视角。攸伦·葛雷乔伊的出现,他那股海盗式的粗犷和无畏,以及他那神秘的“乌鸦”队伍,都让人感到一股来自海洋的强大力量。他的野心勃勃,他的残忍无情,都让他成为一个令人畏惧的反派角色。我喜欢他对“铁群岛”的统治方式,以及他对权力的理解。他并非像其他的统治者那样追求稳定,而是追求一种混乱中的秩序,一种弱肉强食的生存法则。
评分GRRM,这次你要杀谁?
评分写好战场是一回事,写好战争的aftermath又是另一回事。马丁是个有心的人。
评分第一遍看的时候觉得这本好闷,因为几乎没有Stark家什么事情。第二遍才仔细注意到那些暗流汹涌,除了Arya和Brienne写的是人物,其他几乎都是局势变化,很彪悍。不明白的是Pate这个视角是写什么,Catelyn Stark也不知道能走到哪里
评分满目疮痍的世界里,每个人为自己的宿命悲伤。恐惧笼罩之下,这个世界不再有安全的角落,无处躲藏。英雄已死,大地残破。只留下在尸体上饱餐的乌鸦,只留下愚蠢的贵族,只留下无能为力的普通人。
评分finished, finally......
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