Five Faces of Modernity

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马泰·卡林内斯库(Matei Calinescu),美国印第安纳大学比较文学教授。著有《文学与政治》(1982)、《现代主义与意识形态》(1986)等。

出版者:Duke University Press Books
作者:Matei Calinescu
出品人:
页数:422
译者:
出版时间:1987-6-1
价格:USD 28.95
装帧:Paperback
isbn号码:9780822307679
丛书系列:
图书标签:
  • 現代性 
  • 文学理论 
  • modernity 
  • 文化研究 
  • Avant-garde 
  • 建筑理论 
  • 建筑 
  • 批评理论 
  •  
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"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.

"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.

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大体按照书的顺序来,有按自己的思路做过改动。 现代性的五副面孔 [美]马泰·卡林内斯库 一.现代主义 ·“现代性”的词源辨析 1.古代-现代、巨人-侏儒 2.培根:现代人处于世界的老年期 3.广泛的文艺现象 ·时间概念:古典=永恒、中世纪=黑暗、现代=进步/光明 ·现代性(资产阶...  

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大体按照书的顺序来,有按自己的思路做过改动。 现代性的五副面孔 [美]马泰·卡林内斯库 一.现代主义 ·“现代性”的词源辨析 1.古代-现代、巨人-侏儒 2.培根:现代人处于世界的老年期 3.广泛的文艺现象 ·时间概念:古典=永恒、中世纪=黑暗、现代=进步/光明 ·现代性(资产阶...  

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总体基础比较稳,两种现代性一直贯穿。但是论述视角时不时在变,所以游离于学术概念史和现代性问题分析之间。 比较中庸,对各种悖论和时间问题把握到位。但是企图用时间牵线,有点牵强。“五副面孔”并不在一个逻辑起点上,结果被序言中一句话化解掉了。也算是有道理吧,不过是...  

用户评价

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aesthetic modernity as "a crisis concept involved in a threefold dialectical opposition," and modernity as "the name of a cultural family resemblance"

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only introduction

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aesthetic modernity as "a crisis concept involved in a threefold dialectical opposition," and modernity as "the name of a cultural family resemblance"

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a very easy read. His analysis on revolutionary politics and Utopia is esp. relevant to regard the modernity in China.

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Decadence和 Kitsch两部分写得稍弱、有些乱(特别是Decadence)。Modernism那部分很精彩地阐明了不同的理论发展和翻译路线及流派,特别是对苏联关于“现代主义”的理解阐释得很清楚,对研究中国当代艺术很有帮助。

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