Back in Print
Philip-Lorca diCorcia's inventively staged and exquisitely crafted color photographs occupy a special place in contemporary art. Operating in the gap between postmodern fiction and documentary fact, between slick convention and fresh perception, they deliver a powerful emotional charge. The 55 color plates in this book, dating from 1978 to 1994, trace the evolution of a compelling and influential body of work. Beginning with enigmatic domestic scenarios whose protagonists are the photographer's family and friends, diCorcia moved on to an ambitious series in which Hollywood drifters and hustlers are pictured as emblematic figures of contemporary America. He proceeded to deploy his probing curiosity amid the energy and turmoil of big-city streets, reinvigorating a rich photographic tradition that had been dormant for nearly a generation.
Essay by Peter Galassi.
Hardcover, 10.5 x 9.5 in. 80 pages, 55 color illustrations
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用光沒得說
评分sort of like the staged street photography. They look like surreal in some points.
评分用光沒得說
评分在David Zwirner畫廊看這位大師的展,順便看瞭他幾本畫冊,如何形容,期待已久的邂逅。我看他,是因為我嚮來不采用精心布置、用光刻意、人為決定每一個細節的攝影畫麵,而這些,恰恰是diCorcia的照片最大的特點,模糊現實與假象的界限。當思考要如何“創造”或是“擺布”自己的照片時,firstly understand your own position, and then keep challenging the boundary.
评分用光沒得說
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